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Berta Isla

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Their conviction that they are meant to be together is particularly striking in a book that so often asserts our powerlessness over our fate and questions our basis to make judgments about anything.

His] stories are always interwoven with deliberations on truth, morality, deceit and the impossibility of knowing one another, with side trips through literature and history … Berta Isla has many of the master’s signature preoccupations … The elegant translation is alive to every nuance … Berta, the desolate wife, is the heart of the story; her first-person narrative eloquently occupies the bulk of the novel … A complex, emotionally torn character, she evolves and matures, and her intimate story carries the book. These, and the name of a young Oxford detective who investigates Tomás - “our diligent Inspector Morse” – suggest another possible twist: perhaps the real master of deception is Marías himself, and his book is simply a potboiler in heavy disguise. Themes, characters and ideas resurface throughout his work, both the standalone novels and the astonishing trilogy ( Your Face Tomorrow). In the past, he has talked about using his writing to do a special kind of literary thinking, worrying at an idea over a succession of clauses to get at a kernel of truth or exactness. And the years continued to pass and pass, and first, I grew less young, and then, slightly older, I may even have begun to age, although not that much it seems, for I’ve always looked younger than I am, I’m fortunate in that respect and have no complaints, people tend to think I’m at least ten years younger.

Elegant … Persuasively vivid … Marías knows that espionage depends on lies and weasely versions of the truth; that sometimes the false stories used to bait the enemy are as important as James Bond heroics.

In fact, reading Berta Isla, I learned rather more about translation and the Spanish use of the subjunctive than I did about the profession of spying. Case in point are the trials and tribulations of love and marriage and, more importantly, the hidden secrets each individual carries during his or her lifetime. As is the case with many of Marías’s protagonists, Tomás, or Tom, is an individual of many identities. Both lose their virginity to other people: Tom, while he’s at Oxford, studying languages; Berta to a young bullfighter she meets in the street during an anti-government rally. At the same time, Berta Isla is a subtle reflection on the nature of fiction and the novel’s ability to serve as a tool to explore the many nuances of human nature.

See our Remarkables Archive for some that are no longer in print, but which we are happy to try to track down. Young and in love, they quickly decide to spend their lives together – never suspecting that they will grow to be total strangers, both living under the shadow of disappearances. His work has been translated into forty-three languages and has won a dazzling array of international literary awards, including the prestigious Dublin IMPAC award for A Heart So White. At first blush, Berta Isla appears to be a spy thriller in the style of John le Carré … Soon, however, Marías’ trademark webs begin to spread, and the novel becomes an interrogation of language, relationships, and the modern condition.

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