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We are delighted to partner with Rational Acoustics in integrating our huge selling EVO 2, 4 and 8 channel audio interfaces into the Smaart v9 platform,” says Audient Marketing Director Andy Allen. “With EVO’s ability to digitally control the interface’s gain, phantom power and polarity via our EVO Control app running on users’ laptops and now with Smaart’s embedded integration, we’re providing a new, intuitive workflow for Smaart users everywhere. Indeed, a Gain Changing solution.” The Audient Evo 8 USB Audio Interface is a compact USB audio interface designed for musicians, podcasters and content creators. The Audient EVO 8 provides ultra-low latency performance delivering pristine sound thanks to the 24-bit/192kHz audio resolution. The EVO mic pres deliver exceptional warmth whilst remaining accurate and nuanced, providing up to 58dB of gain range. You can record both instruments and vocals thanks to the built-in Phantom Power and JFET input. Bigger sessions demand more channels and expanding your existing audio interface via ADAT might be the most cost-effective solution to scale up your studio,” says Audient/EVO marketing director, Andy Allen. “SP8 does exactly that, giving you eight studio quality analogue preamps, a modern and intuitive user experience with exceptional audio performance across the board.”
You should get an instant answer on whether your application has been successful, though in some rare cases Klarna or V12 may need to look at the application in more detail. MusicRadar verdict: We’re seeing bigger recording names on cheaper and cheaper interfaces, and Audient’s is a great entry to the market. The web says Another neat touch is that you can change preamp gain inside certain DAWs, including Logic Pro X, meaning you don’t even have to switch windows to the mixer. Unfortunately, there’s no way to save input levels within your DAW projects, but the Evo mixer software is more than capable. Sound Want to grow your studio business? Invest in Audient. – Audient on Audient keeps Lito’s Place on Top of Film WorkThe Monitor Mix switch allows you to easily blend your input signal with your DAW output so you can play along and record with your songs For most home recording tasks, simplicity is a good thing. Why over-complicate the process and make life hard for yourself? That’s particularly true of audio interfaces, where the objective is to get sound into and out of your computer with minimal fuss. As long as the sound quality’s up to scratch, it’s better not to add unnecessary features, which often serve to do little more than disrupt workflow or increase the price of the device. Please note that this extended warranty is currently only available on products sold within the UK, EU or EEA, and is subject to the terms and conditions as detailed on the extended warranty certificate provided. The preamps are remarkably clean and transparent with a gain range of 58dB – enough for most microphones. Notably, there is comfortably enough gain for an SM58, Røde NT-1 and Aston Origin. You can even get a passable level out of the notoriously low-sensitivity Shure SM7B for spoken word, but you do have to max out EVO 8’s input gain. The EVO interface comes complete with a professional software bundle including premium-grade plugins to get you started straight out of the box. Features
The audio quality of the Evo 4 is very good. Yes, it’s true that most audio interfaces sound good these days but to my ears Evo has that Audient quality sound that I know and love" Input recording is also exemplary, helped a little with a Smart Gain feature that helps you set levels, although to be fair you don’t really need it as such (see below for more on this).Collection and delivery costs are included for the first 2 years in the event of an item becoming faulty Low-latency, customisable software mixer - route outputs/inputs, apply phantom power, configure headphone mixes, set sound levels and more. A series of smart systems enhance the EVO 8 further - making the recording process a fun and headache-free process. For example, Smartgain mode sets the levels of your inputs automatically while you sing or play. This helps to prevent clipping and distortion and stops your performances from being too quiet. It's also possible to adjust the gain of every channel at once, resulting in a perfect auditory match. Each of the inputs can handle microphone or line-level signals, all with 48V phantom power for condenser mics. Power to the interface is supplied directly over a USB-C cable, meaning there’s no need for a separate power supply. It is worth noting that if your computer only has the larger USB-A ports, you’ll need to connect via a USB-A to USB-C cable and only be able to use phantom power on two mic inputs. If your computer has USB-C ports, you can use the supplied cable and run phantom power on all four mic inputs simultaneously. Setup is plug-and-play on a Mac with drivers required under Windows, but either way it’s advisable to install the Evo Mixer application, which allows you to do things like set up routing and upgrade firmware. As with all EVO products, SP8 benefits from the addition of Smartgain, an innovative and time saving feature which gives the option to automatically set the gain with the touch of a button. “As with EVO 16, EVO SP8 can automatically set the gain for all 8 channels at once,” explains Andy, highlighting the added advantage for musicians who have multiple mic inputs (drummers) or line inputs (synth players).
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