Italian Renaissance Courts: Art, Pleasure and Power (Renaissance Art)

Product Information

If not for the Sforza court, then arguably one of the most paintings on earth would not be here for posterity — The Last Supper. The duchy of Milan was ruled by the Sforza family. They wielded power from Sforza Castle, a stout defensive fortress.

Cross, Samuel H. (1944) "The Russian Ballet Before Dyagilev." Slavonic and East European Review. American Series 3.4 (1944): 19–49. in JSTOR

In 1933, Balanchine moved to the United States. He founded the School of American Ballet in 1934 and the New York City Ballet in 1948. The modern American ballet tradition has been heavily influenced by Balanchine and his modern, avant-garde choreography which appreciated the formerly neglected male dancers. Legendary male dancers of the mid-century period are still revered today, such as Rudolf Nureyev and Mikhail Baryshnikov. The latter danced with Balanchine's New York City Ballet briefly out of a desire to study with the renowned choreographer, but Baryshnikov is primarily known for his decades of work with the American Ballet Theatre as a dancer and artistic director. The ceiling depicts scenes from the Book of Genesis, including the famous Creation of Adam. On the altar wall is one of the first Mannerist masterpieces, The Last judgment. H.R. Wiedemann, Historical case of dwarfism: attempted diagnosis. Am. J. Med. Genet. 47, 805–806 (1993)

Then there’s Palazzo dei Diamnati, the Palace of the Diamonds. It was built by Ercole d’Este. It looks a lot like the rusticated Renaissance palaces being built in Florence. The latter half of the 20th century brought a new style known as neoclassical ballet. A young Russian dancer who trained at the Imperial Ballet School in St. Petersburg, George Balanchine became one of the most important figures in modern ballet. The young, classically trained dancer fled Soviet Russia in 1924 and joined the Ballets Russes in Paris as their choreographer. In Paris in 1928, his work Apollo debuted, and is considered today to be the first neoclassical ballet. Its pared-down aesthetic and choreography driven by the music (rather than the story) was innovative. Main article: Russian ballet Mikhail Mordkin as Prince Siegfried and Adelaide Giuri as Odette with students as the little swans in the Moscow Imperial Bolshoi Theatre's production of the Petipa/Ivanov/Tchaikovsky Swan Lake. 1901 Since you are here, we would like to share our vision for the future of travel - and the direction Culture Trip is moving in.

Sadie, Stanley, ed. (1992). The new Grove dictionary of opera (4 volumes). London: Macmillan. ISBN 978-1-56159-228-9. Brown, Alison, ‘ Rethinking the Renaissance in the Aftermath of Italy’s Crisis’, in John Najemy, ed., Italy in the Age of the Renaissance (Oxford, 2004), pp. 246-65. He was a visionary with a talent for inspiring artistic creation. Julius added beautiful Renaissance buildings to Rome and added the world’s greatest collection of antiquities to the Vatican Museums. Sistine Chapel ceiling Raphel’s School of Athens