Babushka: A Christmas Tale

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Jerrie’s explanation for what she was doing there stretched credibility to the limit: she said she had been hired by Life magazine to fly a reporting team to Dallas to cover the presidential visit, but that when they heard he had been assassinated they abandoned the assignment and left.

I appreciated how Russian words are interspersed throughout the story, and the illustrations were very special: intricate and colorful and in an interesting style. My favorite illustration was the picture of Babushka Baba Yaga planning her makeover, dipping her finger in the water, surrounded by the forest animals and the borrowed real babushkas’ clothes. The story's great, just please don't assume Russian kids know it or believe in non-existent magical Babushkas. This "legend" has in fact been the subject of much ridicule by the Russian Internet community lately as a fine example of how little the Westerners know about the Russian culture that they're prepared to believe any unrelated old tale.The author's surname is Polish which makes sense because the Poles are mainly Catholics, and Nativity legends play a big role in the Catholic culture, so my educated guess would be that he either reworked an original Polish tale (possibly, sincerely believing it was Russian although the difference between the two cultures is huge) or simply made it all up as a conscious case of literary mystification. However, Nativity stories, including the Three Wise Men, don't make part of the Russian Christian Orthodox culture, and there are definitely no Babushkas bringing gifts to Russian kids, we have Father Frost to do that! She decided to look at photographs to see if she could spot Jerrie in Dallas, and came across the “anomaly” of the Babushka Lady. In this book the character of Baba Yaga is good and kind. She loves children and doesn’t want to eat them. She becomes a true Russian babushka. Students should notice this fact. The text is authorial and it doesn’t relate to a Russian folktale. Therefore I would call it unauthentic. Darn! I just hate books where wolves are made out (as they are in many fairy tales, and this is a sort of fairy tale) as aggressive against humans and as vicious/bad/evil. Unfortunately, that’s what happens in a part of this story. Like so many before her though, she found herself in the irresistible tractor beam of the Kennedy assassination, and the unanswered questions about what happened on that sunny day in Dealey Plaza that still affect attitudes to government to this day.

Look her up on Wikipedia and you will find a lengthy entry about her extraordinary life as a pioneer, adventurer and champion of women’s rights. In this book Baba Yaga is represented as Babushka. The story starts with the explanation of her loneliness because she lives alone and other babushkas avoid her because they consider her an evil creature. Baba Yaga wants to have a grandson and comes to one house to live with them and help with a child named by Victor free of charge. She loves Victor and spends all of time in the forest with him. One day she has to leave him with tears in her eyes. Later Victor comes to the forest missing his new Babushka and gets surrounded by wolves. Baba Yaga rescues him. Everyone becomes grateful to her. “From that time on, she was known as Babushka Baba Yaga.” “For the rest of her days she kissed many eyes and held scores of hearts in her good keeping”. Although I have nothing to say against the moral Patricia Polacco seeks to inculcate in her young readers, with this revisionist tale - "Those who judge one another on what they hear or see, and not on what they know of them in their hearts, are fools indeed!" declares one old woman, after the happy reunion of Baba Yaga and Victor - I wish she has used some other folk-figure to illustrate it. Baba Yaga is meant to be fearsome, but also ambiguous. She's a villain - except when she isn't, and is helping (sometimes reluctantly) the hero and/or heroine. She's the figure of the old woman, both feared and respected - a figure of power: dangerous, but not always adversarial. To make her into a cozy old grandmother - a character whose sole desire is to be involved with child-rearing - is like a slap in the face, whether Polacco intended it or not, to all those readers, of whatever gender, who need to see a range of feminine characters in their stories.It would have made for fascinating viewing, but the more time she spent with Cobb the more she began to suspect that something about her story didn’t add up. This is the story of a “creature” who is loathed and feared, yet who is actually lonely and has strong maternal feelings and yearns for a relationship with a child. She finds a way to be a surrogate grandmother. The story’s meaning is captured by a line toward the end of the book: “Those who judge one another on what they hear or see, and not on what they know of them in their hearts, are fools indeed!” I wish I would take more joy in this moment, I do take a sense of relief and satisfaction that I’m at the end, but it wasn’t something I relished. I just felt an obligation to tell a difficult story.” This is a remake of an old Russian folk tale. It includes elements of Russian folklore (including Russian expressions), a creature of legends and a moral lesson. ("Those who judge one another on what they hear or see, and not on what they know of them in their hearts, are fools indeed!")

The rest of the message is lovely, especially knowing from reading other Polacco books, how much she treasured her relationship with her grandmother. One woman did come forward years later to say she was the Babushka Lady, and that two men claiming to work for the government took her camera away, but her claim was largely dismissed because the camera she said she was using was not invented at the time. Almost everybody has seen the Oliver Stone movie JFK,” she says, “and when I saw that movie [released in 1991] I came away thinking there’s probably a lot more to the story. I probably would have leaned – a lean, not a certainty – that there could be more to it. What that would look like I had no idea.”

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This has not been an easy process,” she says. “It was a reluctant process for me. It’s not an easy story to tell or one that I enjoy telling, frankly. It’s a tough story to talk about America and a woman I know and show what I found out about her and publicly say it.