Tritonaudio FetHead - Studio Preamplifier

Product Information

Unlike the CL-1 the FetHead can be plugged in at any stage of the signal flow. This is a major advantage as this means you can use the device with just one XLR. You’ll have probably noticed that both of these options are the two at the lowest price points. That’s because all of the alternatives we’ve covered do largely the same thing – provide clean, transparent gain. The only reason to go for something more expensive than the Durham MKii or the FetHead is if you need either more gain or want additional features. Frequently Asked Questions Is a Cloudlifter necessary? There’s a metal sleeve with branding on it that fits around the main metal tube—don’t worry if this comes loose (it’s glued on) as it won’t affect how it works. The Durham MKII has a small footprint and is a more affordable alternative to CL-1. If 20 dB is enough gain for your needs, it has an excellent value-to-cost ratio and high-quality gain to offer.

It also features a dedicated buffer amp to give you a consistent +28 dB gain boost regardless of the connected load. Moreover, it does a great job at rejecting RF and electrical interference, which makes it desirable for on-location use. Verdict Non adatto a microfoni a condensatore dato che blocca la +48V in uscita, per quelli occorre un altro modello chiamato FetHead Phantom.Il circuito è alimentato da 24-48V Phantom power; quindi, viene alimentato dal Phantom ma non lascia passare la corrente. sE Electronic Dynamite DM-1 is powerful, compact, and can comfortably handle low-output mics for podcasting and recording. Most mics don’t need the 28 dB of gain, and frankly, 20 dB works fine with an SM7B too. However, if you have mics that need extra gain, the DM-1 is a no-brainer. 3. Radial Engineering McBoost (Best Premium) In case you are still unsure of just what is on offer with each product, we have compiled the most important specs into two convenient lists for you to come to compare further. FetHead Phantom is an ultra-low noise, high quality, in-line microphone preamplifier. It provides improved sound for condenser microphones. Small, compact, but powerful, Fethead Phantom utilizes tried and true FET technology to deliver up to 18dB of clean boost. No more cranking your mic preamp and adding unwanted noise to get your microphone to an acceptable volume.Boost your microphone! L'installazione del FetHead è un gioco da ragazzi. Basta collegarlo tra il microfono e l'interfaccia audio e il gioco è fatto. Non richiede alcuna alimentazione esterna, quindi non devi preoccuparti di batterie o cavi extra. Il design compatto e resistente del FetHead lo rende anche estremamente portatile, ideale per chi registra in studio o è spesso in viaggio.

The aim of the FetHead is to boost the signal cleanly by up to 20dB before hitting the mic-pre so you can use less gain and have a cleaner recording. It does this by using double jFET configured as a double class-A amplifier which is super clean and is conveniently powered by the phantom power from your pre. Phantom power is not passed through the FetHead and so you can use it safely with ribbon microphones (a phantom version is available if you want to use a FetHead with a condenser) The no-slip pad on the under panel and book-ends on the casing are clever additions to protect the unit and switches. Overall, the high-quality components and engineering finesse are impressive yet predictable, given Radial’s outstanding reputation. Performance The Triton Audio FetHead is a stylish in-line microphone preamplifier that delivers powerful results at an entry-level price point. Many popular brands of microphones, both dynamic and ribbon, can benefit from attaching a FetHead. Even studio-ready mics such as the Shure SM7 can benefit when paired with this clever device.At the input of your connected preamp device (e.g., audio interface, mixer, or stand-alone preamp.) Durham is a no-frills mic activator. You simply plug it in and claim your hassle-free +20 dB of clean gain. Compared to the CL-1, it falls 5 dB short, but the price is a lot lower too. In every other aspect, it is comparable to the CL-1. Triton Audio has created a powerful little device it’s FetHead (and FetHead Phantom for condenser microphones) that allows an artist of any budget to reach their fullest potential.

As of writing, the FetHead is significantly cheaper than the CL-1. The lower price point doesn’t mean the device is any less rugged, however, as the metal shielded enclosure is sturdy and of a premium build quality. Testing the Two They're also great on Ribbon microphones as they provide an enhanced impedance match, taking the weight off of the microphone which results in a sharper transient response. This will prove particularly useful for adding definition when capturing soft sources. Ribbon protection The FetHead reviewed in this post is the regular version. Triton also produces other versions, including: The load switching option adds to this flexibility and allows you to change the input impedance to see how your mic reacts to each one. Choose the one which works the best with your microphone.

The FetHead requires phantom power, so it works using balanced XLR connections, and you can’t use it with a USB-only mic. One of the biggest fears of using a plug-and-play solution for passive ribbon and dynamic mics is getting enough additional gain. Despite its small size and ability to attach directly to your microphone, FetHead’s ability to increase the loudness of any sound input, whether for music or videos, should not be underestimated. Specs