The Second Summer of Love: How Dance Music Took Over the World

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a b "The Year of the Hippie: Timeline". Pbs.org. Archived from the original on May 15, 2007 . Retrieved April 24, 2007.

The US success of "Mary's Prayer" led to its UK re-release with a resultant number 42 UK chart peak. After "Mary's Prayer" topped a BBC Radio 1 phone-in poll of listeners' nominations for 1987 singles which had undeservedly failed to reach the upper UK chart, [3] Virgin Records UK gave the single a second re-release with a resultant number 3 UK chart peak. [5] Meet Danny Wilson generated two more singles: "Davy" and "A Girl I Used To Know", both of which preceded the successful reissue of "Mary's Prayer" but neither of which matched its success. [5] Bebop Moptop [ edit ] The gathering of approximately 30,000 at the Human Be-In helped publicize hippie fashions. [14] Planning [ edit ]It was at this event that Timothy Leary voiced his phrase, " turn on, tune in, drop out". [12] This phrase helped shape the entire hippie counterculture, as it voiced the key ideas of 1960s rebellion. These ideas included experimenting psychedelics, communal living, political decentralization, and dropping out of society. The term "dropping out" became popular among many high school and college students, many of whom would abandon their conventional education for a summer or more of hippie culture. T here were rows of men 10 deep just trying to look at what records she played. She really stood up in her world as a DJ’ – Maddie

P. Braunstein, and M.Doyle (eds), Imagine Nation: The American Counterculture of the 1960s and '70s, (New York, 2002), p. 7. a b c d e f g h i j Will Harris (31 August 2009). "Hooks 'N' You: A Portrait of Gary Clark as a Young Recording Artist". Popdose.com . Retrieved 20 August 2016. While the prime musical point of convergence throughout the phenomenon was house music at first mostly imported from the US underground nightlife centres Chicago, Detroit and New York, also a basis for the scene was focused upon enabling people to open up to other genres of music. This was most typically music not seen as very commercial for the time, including music of the hippie eras and some folk derived music.Allen Cohen: San Francisco Oracle, Human-Be-IN, History of the Haight-Ashbury". Archived from the original on March 1, 2003. a b "DANNY WILSON - full Official Chart History". Official Charts Company . Retrieved 24 October 2021.

Belladrum Tartan Heart's in the right place". The Courier. 12 August 2010 . Retrieved 20 August 2016.A new concept of celebration beneath the human underground must emerge, become conscious, and be shared, so a revolution can be formed with a renaissance of compassion, awareness, and love, and the revelation of unity for all mankind. [13] Fun Fact: Craig Kallman recorded 'The Party' in his bedroom studio, and it went on to sell 250k units worldwide. Kallman is also known for founding Big Beat Records in 1987 at the age of 22, which has since relaunched as a dance-focused label under Atlantic Records. The women blazing a trail at The Hacienda ‘It is just the outfit, the picture, that went in every magazine, from The Face to iD and DJ Magazine’ (Pic: Daniel Newman) Fun Fact: San Antonio played a crucial role in defining the Balearic sound through José Padilla's lengthy sets at Café del Mar in the late eighties and early nineties, which climaxed as sunset with etheral melodies like 'Moments in Love' by Art of Noise. [via: Matthew Collin] I had a fashion brand at the time which was doing very well. I was dressing all the popstars and it was selling in 200 of the best designer fashion shops around the world. The look was quirky British tailoring, “Punk Couture”. It was a very smart dressed up look that reflected the club scene at the time. Then one evening in July 1988 I was taken to a club called Shoom and there was in my designer clothes, but there was a completely different look and music, it was unlike anything I’d ever heard or seen before. Everyone was really open and friendly and you could have amazing conversations with someone you’d just met. No one was drinking beer and at first I didn’t understand what was going on, but I soon found out. It’s no coincidence that Danny Rampling used the smiley face as the Shoom logo because everyone was smiling and losing themselves in this incredibly powerful music. Prior to that if you went to club you had to stand around looking cool, so this was an incredible change

Eddi Fiegel (2006). Dream a Little Dream of Me: The Life of 'Mama' Cass Elliot. Pan Books. pp.225–226. ISBN 9780330487511 . Retrieved August 5, 2013. The event was also reported by the counterculture's own media, particularly the San Francisco Oracle, the pass-around readership of which is thought to have exceeded a half-million people that summer, [28] and the Berkeley Barb. Fun fact: Her first single was released at age 14, igniting both the career of rap’s first female star and hip-hop’s first recorded beef. Shanté‘s success marked a turning point in the early days of hip-hop - the first time a woman forced the male-dominated genre to listen up and pay respect, all while moving hip-hop further toward the mainstream. A Netflix biopic came out in 2018 about her life Roxanne, Roxanne, which was co-produced by Pharrell Williams. The band remained a trio throughout its lifetime, hiring in other members (drummers in particular). Lead vocals were shared between the Clark brothers: Gary, as the band's main songwriter, took the majority of these, but over time Kit would sing more of them. I’d come off the free festival scene. That was my life,” she tells me over the phone from her home in Bristol. When she discovered free parties, she saw people coming together to just dance, celebrate life, be unified and be on the land.local ballot measures face San Francisco voters in November". Sfchronicle.com. August 13, 2018 . Retrieved August 31, 2019. In the early days, a grade 1 buzz cut and baggy clothes meant people often mistook her for a young boy. “This guy once said to me: ‘God do you know what, there’s a bird playing downstairs, I bloody hate bird DJs,” she laughs. “I went, ‘well I’m actually a woman…’” I did things differently to men Maddie Ridgway-Brown at one of the Coalesce underground raves History of Hard House". Archived from the original on 16 May 2006 . Retrieved 13 June 2006. "As the second "Summer of Love" arrived in 1989"