The Satsuma Complex

Product Information

Gary likes to look around and really pay attention to stuff on his work “commute”. He’s definitely a people watcher, and he has no time to have his face in a mobile phone like most others around him. When a work acquaintance (whom Gary calls ‘sexier than a cream horn on top of a polished school bell’) suggests a pint, perhaps Gary can add to his tally. Their encounter is cut short - but after being left alone he strikes up a conversation with an out-of-his-league girl with Doc Martens and a ‘clinically straight fringe’. She’s called Emily and Gary’s instantly besotted, only for her to vanish on him too.

Bob Mortimer wins 2023 Bollinger Everyman Wodehouse Prize for Comic Fiction with The Satsuma Complex Kingsolver’s novel is more serious and fatalistic than its 170-year-old predecessor – as Demon says, ‘A kid born to the junkie is a junkie’. But in updating it, she makes a great case for popular fiction’s enduring ability to shine a light on the kind of people we are. (BE) Main character Gary, a man with a job that Mortimer used to have, in the same location where Mortimer used to work. He also has the exact same cadence, vocabulary and thought processes as Mortimer, as seen in his long digressions about pies. That said, Gary is described as having a slightly larger nose than Mortimer, so they are definitely different people.All this suggests that novel-writing is a very promising new direction for comedy’s latest national treasure. Mortimer “approaches the world with a sly, mischievous smile”, said judging chair and Hay festival founder Peter Florence. “I guess this is what happens when you turn a brilliant, oblique comedic attention to life. The language and the tone tip your perception all the time, and he has this strange ability to keep the reader on the very brink of guffawing for whole chapters at a time. Main character The story is told from the perspective of all four characters, although the main one is Grace, a woman approaching her 90th birthday with the same energy that most approach their 30th. We meet her on a beach, snapping at a patronising do-gooder, and things progress from there. The story includes many of the usual crime thriller topes – from a possible femme fatale to the calmly intimidating nemesis – but also so many sweetly surreal peculiarities that it could only have been written by Bob Mortimer.

As in his television work, Mortimer conveys an infectious joy in his own oddity, and, as his recent bestselling memoir And Away… showed, there’s a sweetness to his worldview that makes his writing gently poignant. And although I can’t imagine non-fans emerging anything other than baffled, those who are used to his brand of weirdness will find that the book works well as a thriller, too. Like Spike Milligan, the only vintage comic whose fiction is still read, Mortimer has managed to use a novel as a vehicle for his distinctive comedic voice. Writing style Norton, it turns out, is a magnificent novelist. The story of Forever Home is a simple one, but it hinges on a big twist halfway through. A lesser writer would have hurried to get to the big moment sooner, or at least gleefully started to drop bigger and bigger breadcrumbs. But Norton is a model of restraint. He spends chapter after chapter making doubly sure you feel the way he wants you to feel about each character before dropping his bomb. Burke’s podcast, Where There’s A Will There’s A Wake, revolves around death and Mortimer said he’d like to die fighting a bear – or hit by an articulated lorry carrying Flumps. Plot Gary, a down-at-heel London solicitor, goes for a drink with a friend. The next day, the friend goes missing. Meanwhile, Gary meets and falls for a mysterious woman. Could the two be connected? And why does Gary keep having conversations with a slightly belligerent squirrel? The debut novel by comedian Bob Mortimer has the answers.

Children’s book of the week

Gary works as a solicitor of little talent and has a thing for drinking in the pub and eating Battenburg cake. When necessary, he also seems to be able to glean words of advice and wisdom from the local squirrels who tend to show up in times when a good talking to is required. To describe me as anonymous would be unfair, but to notice me other than in passing would be a rarity. Peter Florence, Chair of the Judges, commented: “He approaches the world with a sly, mischievous smile. I guess this is what happens when you turn a brilliant, oblique comedic attention to life. The language and the tonetip your perception all the time, and he has this strange ability to keep the reader on the very brink of guffawing for whole chapters at a time. You get to love all these characters, the good ones and the bad ones and the very bad ones. And you’ll start talking to squirrels. And then you’ll have to think around what that’s achieving for you.”