Turner's Birds

Product Information

Singh, Iona (2012). "J.M.W. Turner as Producer". Color, Facture, Art & Design. Winchester, UK; Washington, DC: Zero Books. pp.129–152. ISBN 978-1-78099-629-5.

Wikipedia articles incorporating a citation from the 1911 Encyclopaedia Britannica with Wikisource reference Moyle, Franny (2016). Turner: The Extraordinary Life and Momentous Times of J.M.W. Turner. Penguin/Random House. ISBN 978-0-241-96456-9. Roberts, Miquette (5 December 2012). The Unknown Turner. Tate. ISBN 978-1-84976-386-8 . Retrieved 14 July 2014. From the moment we adopted Lewis, we tried to provide him with as normal a life as possible, despite the severe injuries he had sustained. We are grateful that we were able to have so many fun and happy times with Lewis and make memories that we will always treasure. Bird later admitted to a social worker that he was responsible for causing the injuries and had done so by holding a pillow over the child's face for a few minutes.Swallowtail butterflies ( Papilio rutulus) accumulate in great numbers on muddy banks of Stikine River

The team at Bird & Bird is very efficient, very knowledgeable, very helpful, and always has a mind to commercial decisions and the impact on the overall business.’ Johnson, Ken (3 June 2016). "In Turner Paintings at the Met, the Bloody Business of Whaling". The New York Times. pp.C23. ProQuest 2310050465.

View our latest video insights from our experts around the globe.

Graeme Payne is hugely experienced and provides an invaluable perspective on franchise work in the wider commercial context.’ a b Wilton, Andrew (2006). Turner in his time (Newed.). London: Thames & Hudson. p.14. ISBN 978-0-500-23830-1. Turner's talent was recognised early in his life. Financial independence allowed Turner to innovate freely; his mature work is characterised by a chromatic palette and broadly applied atmospheric washes of paint. According to David Piper's The Illustrated History of Art, his later pictures were called "fantastic puzzles". Turner was recognised as an artistic genius; the English art critic John Ruskin described him as the artist who could most "stirringly and truthfully measure the moods of Nature". [37] Turner's work drew criticism from contemporaries, in particular from Sir George Beaumont, a landscape painter and fellow member of the Royal Academy, who described his paintings as "blots". [38] The lead author (N. Turner) is an ethnobotanist of European heritage from French/German/Dutch/English ancestry who has dedicated her research career to building relationships with Indigenous communities in North America and carrying out community‐based research in respectful and reciprocal ways. The information on cultural environmental knowledge presented here is based mainly on previously published ethnographic and ethnobotanical records for Indigenous language groups from throughout the study area, most drawn directly from ethnobotanical and ethnoecological research in collaboration with Indigenous Knowledge holders and communities over the past 50years led by the lead author (see Turner, 2014). Most interviews and conversations foundational to this research were conducted in English, but with linguists and Indigenous language experts recording and verifying Indigenous terms, such as names of the plants. Standard methods in collaborative ethnobotanical documentation were used in these studies and are described in greater detail in the original reference publications cited. Illustration of Mandrake plant from William Turner's Herbal, the first to be written in English rather than Latin

Whittingham, Selby (1993–1996). An Historical Account of the Will of J. M. W. Turner, R.A. London: J. M. W. Turner, R.A., Publications.

He was rushed to hospital where a scan revealed he had suffered the devastating injuries as a result of his brain being starved of oxygen. a b Shanes, Eric (2008). The life and masterworks of J.M.W. Turner (4thed.). New York: Parkstone Press. ISBN 978-1-85995-681-6.