Keeley 'Loomer' Fuzz & Reverb Pedal

Product Information

Not every pedal needs to be super-limited edition and hand-soldered in a basement by monks. Witness the Source Audio Collider, a digital reverb and delay combination that combines their top-of-the-line Nemesis Delay and Ventris Reverb pedals. Unless you need specific patches from those pedals that aren't here, this can replace both on your board. De Fuzz is een voltreffer met de drie modes (full, flat en scoop). Mijn ehx big muff nano is overbodig geworden. This is where it gets really cool. The vibrato in this mode is envelope controlled. The range runs from 0 to 50ms of time shift.Tone control is loosely based on the Jazzmaster rhythm tone control with a low pass filter centered at 156.6Hz Strum hard at it pitch bends like you are playing the trem bar on a Jazzmaster or Jaguar! Combine the two for an unreal dual-guitar player effect! Soft Focus Introducing our Artist Series, a new line of Custom Shop takes on our favorite Keeley pedals! Each of the Artist Series pedals will feature artwork from their associated artists, as well as an Artist Series bottom print.

Mijn eerste Keeley pedaal en ik ben onder de indruk. De geluiden zijn stuk voor stuk heel mooi en organisch. Ebenfalls sehr gut ist die Möglichkeit, die Reihenfolge von Fuzz und Reverb zu vertauschen, ohne dafür alles neu zu verkabeln.The Loomer seeks to distill it all down to one little box by combining tonne of fuzz and an ocean of reverb with an envelope-controlled vibrato. The latter simulates the Jazzmaster tremelo arm being ‘strummed’ as you play. Decay times on the Loomer can be set to 150ms, 200ms, 250ms, 300ms, 350ms, 400ms, 450ms, and 500ms. Copycat? The second side is a wet channel, with reverb and delay effects courtesy of - well, also eccentric - US boutique builders Old Blood Noise Endeavors. With pedals in their line-up like the Rever, Dark Star, and Dweller, they know their way around designing exciting and unusual delay and reverb circuits. Soft Focus- Because all of the reverbs can go All-Wet by means of the Blend Control, this is a great approximation of the lush and surreal Yamaha FX500 patch. Soft Focus Reverb features a dense reverb with two delays in parallel (one set for 250ms, the other set for 380ms.) Muffdive... Also vorweg: Das Pedal ist sicherlich sehr speziell. Der Fuzz-Teil ist intuitiv und vielseitig; für mein Empfinden ist es nicht grade der sanfteste Fuzz, den ich je gespielt habe. Der Reverb-Teil hingegen ist kein Standart-Hall. Alle drei Einstellungen bringen besondere Hall-Settings mit, die in meinem Setup einen Spring-Reverb mit ihren ausgefallenen Sounds ergänzen. More recently, the D&Mdrive took the guitar pedal world by storm. This is a signature drive pedal was made for our friends at That Pedal Show.

Granted, it's likely more complex in reality than it seems on the outside, and there's of course a financial and practical incentive to want to divide the line-up by function.

Although the teaser demos sound in the ballpark, to my ear the pedal is missing a lot. It’s a little too clean and surgical, and not as organic and alive as those original recordings. I have spent a long, long time listening to Loveless, which is probably why I am hyper-critical with attempts to achieve that hallmark MBV sound. It’s a cool pedal, though, and hopefully some players will use it in new and unusual ways. The Chase Bliss Mood is a supergroup, or at least a super-collaboration of the pedal world. The MIDI controls and 'brain' of the pedal come from Chase Bliss, with their usual pattern of complex control parameters and dip switches, but its 'heart' is two weirdo pedals in one, combining looping, reverb and delay.

Robert Keeley used to be an amp repairman before getting involved in teaching analogue and digital electronics at Vatterott College in Oklahoma. This is where he methis first Keeley Electronics employees. Reverse- This is not a true reversed reverb as it reads through a delay line at various points in the delay while increasing in volume. This is where it gets really cool. The vibrato in this mode is envelope controlled. The range runs from 0 to 50ms of time shift. Tone control is loosely based on the Jazzmaster rhythm tone control with a low pass filter centered at 156.6Hz Strum hard and it pitch bends like you are playing the trem bar on a Jazzmaster or Jaguar! Combine the two for an unreal dual-guitar player effect!Eccentric Belgian boutique builder Drolo designed the loop channel, presumably taking experience gained from their excellent Molecular Disruption Device and Stammen pedals. He realised that he could make a success of his pedal designs. It’s all in the history books from there on in because the company has just grown from strength to strength. The Keeley Range A stoned, morning floaty, messed up, thrill machine is what it is. Washes of reverb in new ways you’ve not heard in a stomp box before and a fuzz that’s like a cigarette burn on your forearm. It rages. The Loomer Workstation – Sarah Lipstate Artist Series Edition features an augmented photo collage by Sarah. The art was created by hand-painting 16mm film with India ink and acrylic paint, which was then scanned and recreated using Keeley’s UV printers over a powder coated case. Because all of the reverbs can go All-Wet by means of the Blend Control, this is a great approximation of the Yamaha FX500 patch. Soft Focus Reverb features a dense reverb with two delays in parallel (one set for 250ms, the other set for 380ms.) Muffdive

The KeeleyCompressor is probably the most famous pedal that Keeley have made. That’s saying something, because they'vebuilta lot of globally popular boxes of goodness. The Keeley Compressor was well-liked thanks to its subtle compression that maintained the tonal sweetnessof an electric guitar whilst implementing low noise floor. Het schakelen van de fuzz voor of na de reverb is voor shoegaze music echt handig, niet constant pedalen wisselen.Because all of the reverbs can go All-Wet by means of the Blend Control, this is a great approximation of the Yamaha FX500 patch. Soft Focus Reverb features a dense reverb with two delays in parallel (one set for 250ms, the other set for 380ms.) Muffside I’m happy that Keeley has chosen My Bloody Valentine as part of their ‘soundalike’ series of pedals. It makes a change from effects based on boring old blues-based guitar legends. I was one of those kids that went out and bought the album on the day it was released and went to see them live on that tour. Een kleine opmerking is misschien dat de decay time voor de soft focus maar vooral voor de hall langer mocht. Voor de rest: perfect!