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For the 2015 summer tour dates, Paul Manzi returned to sub for Peter Lincoln. The latter duly resumed his role in the band and they continued with extensive live dates, known as the "Finale" tour in Germany. The Sweet's initial album appearance was on the budget label Music for Pleasure as part of a compilation called Gimme Dat Ding, released in December 1970. Sweet had one side of the record; the Pipkins (whose sole hit, " Gimme Dat Ding", gave the LP its name) had the other. The Sweet's contribution consisted of the A- and B-sides of the band's three Parlophone singles. Andy Scott appears in the album cover shot, even though he did not play on any of the recordings. One more studio album, Identity Crisis, was recorded during 1980–81 but was only released in West Germany and Mexico. Sweet undertook a short tour of the UK and performed their last live show at Glasgow University on 20 March 1981. Steve Priest then returned to the United States, where he had been living since late 1979. When Polydor released Identity Crisis in October 1982, the original Sweet had been disbanded for almost a year.

a b c "Chartverfolgung / Sweet / Single". Music Line (in German). Germany: Media Control Charts. Archived from the original on 23 March 2016 . Retrieved 18 June 2012. Between March and May 1978 Sweet extensively toured the US, as a support act for Bob Seger and the Silver Bullet Band. The tour included a disastrous date in Birmingham, Alabama on 3 May, during which visiting Capitol Records executives in the audience saw Brian Connolly give a drunken and incoherent performance that terminated early in the set with his collapse on stage, leaving the rest of the group to play on without him. The band returned briefly to Britain before resuming the second leg of their US tour in late May supporting other acts, including Foghat and Alice Cooper. Concluding the US tour in early July 1978, Brian's alcoholism and estrangement from the group was steadily becoming a greater issue. lt;p>May contain Peanuts, Nuts, Sesame Seeds and Soya. No artificial flavours, colours or preservatives.&nbsp;</p>

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The Sweet's first full LP album, Funny How Sweet Co-Co Can Be, was released in November 1971. It contained a collection of the band's recent singles, supplemented by some new Chinn/Chapman tunes (including "Chop Chop" and "Tom Tom Turnaround") and pop covers (such as the Lovin' Spoonful's " Daydream" and the Supremes' " Reflections"). The album, recorded at Nova Studios in London, was produced by Phil Wainman and engineered by Richard Dodd and Eric Holland. It was not a serious contender on the charts. With the addition of session and touring musicians keyboardist Gary Moberley and guitarist Nico Ramsden ( Byzantium, Boys Don't Cry), Sweet undertook a short European and Scandinavian tour followed by a single British concert at London's Hammersmith Odeon on 24 February 1978. However, " Love Is Like Oxygen" (January 1978) was their last UK, US, and German Top 10 hit. [4] [8] Scott was nominated for an Ivor Novello Award for co-composing the song. One more single from the album, "California Nights" (May 1978), featuring Steve Priest as the lead vocalist, peaked at number 23 on the German chart. a b Pedersen, Erik (4 June 2020). "Steve Priest Dies: Bassist Who Co-Founded Sweet Was 72". Deadline.com. Archived from the original on 8 March 2021 . Retrieved 5 June 2020.

In 1990 this line-up was again reunited for the promotion of a music documentary entitled Sweet's Ballroom Blitz. This UK video release, which contained UK television performances from the 1970s and current-day interviews, was released at Tower Records, London. Sweet were interviewed by Power Hour, Super Channel, and spoke of a possible reunion.The undisputed greatest self-penned B-side in the entire Sweet catalogue, Burn On The Flame was every bit as good as its reverse, The Six Teens. Once again it’s possible to imagine innocent fans flipping the A-side over and spitting their Sugar Puffs across the table, though for all the immense power of its guitar riff, the song is quite magnificently put together. 2) Set Me Free, 1974 On 2 November 1996 British TV Network Channel 4 aired a programme Don't Leave Me This Way, which examined Connolly's time as a pop star with the Sweet, the subsequent decline in the band's popularity, and its impact on Connolly and the other band members. The show revealed Connolly's ill health but also that he was continuing with his concert dates at Butlins. Connolly and his band had appeared at Butlins a number of times on tour during the early 1990s. Priest finally gives me some hope. "I'm pretty easygoing. I don't hold a grudge. I'm not averse to writing some songs with Andy again one day."