Kodak Gold 200asa 35mm - 36 exp Single

Product Information

Images made on Eastman Double X tend to have a gritty, stark overall tone. Under controlled lighting and with precise exposure and filter usage this film can exhibit the smooth, beautiful midtones it was formulated for, but in high contrast situations this film easily takes shadows and highlights right to the edge, crushing shadows and blowing highlights left and right. It’s not a film for every situation, but rewards discretion and meticulous shooting with contrasty, beautiful images. Kodak makes quite a few impressive pro-level color-negative films. Let’s talk about those. Kodak Ektar 100 In general, you can easily overexpose Kodak ColorPlus 200 by 1 or 2 stops. However, on the other end, you can probably only get away with an underexposure of about 1 stop before the colors become a bit muddled. Kodak Gold is available in 120 film so you now have the option to shoot this amazingly popular emulsion in either (or both) 35mm or 120! Ultramax is currently only available as a 35mm film. A classic well-balanced vintage color rendition that’s perfect for everyday use and even portrait work.

Professional films are those that are typically manufactured with a specific application in mind. Whether these be formulated for wedding or portrait photographers, or made to work best with landscapes, pro films usually do one job exceptionally well. Of course, this comes at a cost. Pro films are often double or triple the price per roll of consumer-level films. The magnitude of Kodak successfully rereleasing a film like Ektachrome is huge. It’s also a milestone that, frankly, many of us never thought possible. We’d been through this before with other film projects. Big promises on social media to #keepfilmalive, the flashy promotional campaign, the buzzworded crowdfunding, and the whole load of nothing that happens afterwards. For more than a year we heard just a few intermittent reports that Ektachrome was still coming. And now, proving our fears wrong, it’s finally here. Our experience with underexposing Gold 200 has been a little bit less successful – we find that the shadows can get grainy and muddy pretty easily. Kodak Gold 200 is a 5500k daylight balanced, ISO 200, colour negative 35mm film that’s available in rolls of 24 or 36 exposures. It has the DX code 512504 and is developed using the regular C-41 process. When you look at it like that, Kodak Gold 200 is like the Ford Escort of films. It’s pretty much Hulk Hogan.Personal Style: Consider the look you want to achieve in your photographs. If you prefer images with high contrast and vivid colors, Kodak Ultramax may be the better choice for you. If you prefer natural color reproduction and good skin tones, Kodak Gold may be the better choice. According to Kodak themselves, you get saturated colours, fine grain, and high sharpness. Gold 200 is also good for bright, colourful prints, great for enlargements, and gives high-quality results when scanned for digital output and great prints from digital zoom and crop images. Capturing new vintage holiday memories on Gold 200 sounds like a very good idea, though, and I’m already looking forward to doing that.

Whenever Kodak Gold 200 is brought up in conversation, the name says it all. Accentuated yellows, golds, oranges, and everything in between – this is the film to capture the warmth around us. Often looked at as a worthy Portra alternative, Gold 200 reproduces warm, beautiful tones made for golden hour, portraits in warm lighting, and warm color palettes. Kodak’s slowest offering in the Portra lineup is also one of their most intriguing. Portra 160 is perhaps the most archetypical of the Portra philosophy – it offers a subtler, gentler color palette when compared to other color negative emulsions. Pair this understated color palette to the fine grain offered by an ISO 160 film, and you end up with one of the finest portraiture films on the market. This makes Kodak Gold a popular choice for portrait and landscape photography, while Kodak Ultramax is popular for outdoor and snapshot photography. They also mention that wide exposure latitude from earlier, stating you get from two stops underexposure to three stops overexposure to play with. But there are also lots of similarities - the broad shape of the curves, the wavelengths where each of them peak - these indicate that the look you'll get from your images will be pretty alike in comparable lighting.I love using Kodak Gold for everyday personal work and natural light portraits. It’s also great for travel or photo walking. Kodak Gold 200 is also the perfect film to use to keep costs down. Kodak Gold 120 film is the perfect choice for capturing stunning, high-quality colour photos on medium format cameras. With its affordable price point, you can enjoy the beauty and clarity of medium format photography without breaking the bank. Fujifilm works with a pool of valued partners around the world as part of the production process to ensure we can continue to deliver high-quality imaging products to delight customers. Last in the Portra line is Portra 800, Kodak’s higher speed color negative offering. In some ways, Portra 800 is a bit redundant considering Portra 400’s exposure latitude covers nearly all of Portra 800’s effective range. But Portra 800 is another spectacular option when light gets really low, and I find Portra 800 shines particularly when used for this intended application.