A Keeper: The Sunday Times Bestseller

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The next chapter is the "Now" and we meet a young single mom who has just learned her mom has passed. She needs to go to Ireland and clear out her house and wind up her affairs. She is dealing w/the loss of her mom and also with her teen son, whose situation is complicated because she is raising him alone. Perfectly crafted, a beautiful, gripping account of Irish memory and deceit. A terrific achievement .' ANDREW O'HAGAN Living in America has left a void in Elizabeth as she tries to interact with her extended Irish family. She comes across some handwritten letters to her mother from a man by the name of Edward Foley in Cork. Elizabeth is perplexed as to the nature of these letters.

Elizabeth Keane travels with a heavy heart from New York to Buncarragh just north of Kilkenny. Her mother passed away and it is now up to Elizabeth to sort through her things and close up the house. She's a recently divorced mother of seventeen year old Zach. Zach will be spending time with his father in San Francisco during her absence. A Keeper has the vibes of Misery by Stephen King in some respects. What begins as a mother/daughter relationship novel will soon take on a much, much darker theme. And that, Boys and Girls, is a delightful plum pudding.I raved about Holding two years ago ... A Keeper is even better. A powerful, very sad story, beautiful writing, two time frames that are perfectly balanced. Outstanding. Will easily be one of my books of 2018.' JOHN BOYNE This is the 2nd novel I have read by Graham Norton and once again I am so impressed with his writing. Don't be put off by his stage persona and read this book as you would any other author. This is a fabulous little book and I read it from start to finish in one sitting wanting to know more. I didn't listen to the audio version much, but what I did hear, I enjoyed. Five stars to the audio performance. Now”: Only child Elizabeth Keane, a 44-year-old college instructor, divorcée and mother to 17-year-old Zach, living in a tiny apartment in Manhattan, travels to Ireland to finalize her recently deceased mother’s estate in Buncarragh. She finds a hidden box of letters filled with clues about the father she never knew. An intelligent, well paced mystery that I gulped down in three rainy days. Alternating masterfully between “Now” and “Then,” from Convent Hill in the town of Buncarragh just outside Kilkenny, Ireland to the remote Castle House by the sea near West Cork, Graham Norton spins the tale of Patricia Keane and her daughter Elizabeth.

I had a couple of “eye roll” moments with this book, and I noticed several detail oversights, but this was an excellent read for me. There wasn’t a single character here I didn’t like, or at least sympathize with (including Edward’s deranged mother Catherine) and I loved the setting. Recommended to mystery fans or anyone looking for a riveting read on a rainy day. The novel opens with forty-something Elizabeth Keane, a divorced lecturer in Romantic poetry based in New York, returning to her hometown of Buncarragh following the death of her mother, Patricia. Growing up in a small town and without a father, Elizabeth longed to get away and now as a single mother herself to a teenage son she is none too pleased to be reunited with her judgmental extended family as she plans to clear the house for sale. Stumbling across a small wooden box of letters penned to her mother in the early Seventies in response to a lonely hearts advert by the man she has been told is her father it provides her first opportunity to learn more about Edward Foley. Despite asking her uncle and her mother’s former friend about her mother’s brief time in the coastal town of Muirinish she learns nothing more than that Patricia returned following Edward’s death with local suspicion that she had been pregnant prior to leaving Buncarragh prevailing. As Elizabeth goes in search of her own answers and worries about her AWOL son, Zach, she finds rather more than she bargained for and ultimately gains a new appreciation for the woman her mother was. The flow was not great. The POVs between Patricia and Elizabeth and the mini POVs for Edward and Rosemary just didn't hang together well.

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The rooms weren’t empty, they were filled with the absence of someone. The dead don’t vanish, they leave a negative of themselves stamped on the world.’ Perfectly crafted, a beautiful, gripping account of Irish memory and deceit. A terrific achievement.' ANDREW O'HAGAN There were quite a few skeletons rattling around in this family’s closet, goodness! I enjoyed both eras of this story, journeying along with Elizabeth while she balanced uncovering her family history with a family drama in the present. And Patricia’s story! There was a creepy ‘Rebecca’ feel to Patricia’s sections, the isolated house perched alongside a ruined castle on the wild coast – Ireland, not Cornwall, but still – a strange man, a crazed old woman, and secrets galore! But in amongst this, great tragedy too. This was powerful storytelling, with depth of both character and plot, the threads joining both eras all strongly interwoven. I raved about HOLDING two years ago ... A KEEPER is even better. A powerful, very sad story, beautiful writing, two time frames that are perfectly balanced. Outstanding. Will easily be one of my books of 2018.' JOHN BOYNE I tend to wait at least a day after finishing a book to post a review, but I am highly annoyed right now and just want to put this book behind me. I maybe at one point while reading this ARC said are you serious and then started muttering to myself about just DNFing it. I don't like to do that with NetGalley reads though, so I may have to rethink on that in the future. This book was all over the place. I thought I was sitting down to read a solid mystery about a woman returning (Elizabeth) to her hometown in Ireland and finding out about her mother's (Patricia) past. Instead we don't really find out about it, we hear bits and pieces via other inconsequential secondary characters. The author throwing Patrica's POV in did nothing to help things. The plot with Elizabeth's son came out of nowhere and just made zero sense. Maybe if Norton actually spent time building up any of these characters I would have cared more.