Ticket to the World: My new music memoir behind-the-scenes of Spandau Ballet and the 80s

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a b "Professor Martin John Kemp". dow.cam.ac.uk. University of Cambridge. July 2016 . Retrieved 16 August 2020. Castle, Tim (11 October 2007). "London show strips bare 2,500 years of erotic art". Reuters . Retrieved 21 October 2020. Visions of Heaven: Dante and the Art of Divine Light. London: Lund Humphries. ISBN 978-1-84822-467-4. OCLC 1183423539. Baumgartner, Barbara (1 March 2004). "Book Review: Spectacular Bodies: The Art and Science of the Human Body from Leonardo to Now, by Martin Kemp and Marina Wallace. Jointly published by the Hayward Gallery and the University of California Press, 2000. 232 pp". Journal of Medical Humanities. 25 (1): 79–81. doi: 10.1023/B:JOMH.0000007536.30721.5c. ISSN 1573-3645. S2CID 145615453. Kemp thinks he gets his approach from his own father, a printer, who was encouraging and nonjudgmental. In the early Spandau days, when Kemp was heading for the front door in a crimplene dress and makeup, he would call out: “Goodnight!” hoping to provoke his dad’s disapproval. But his dad would only glance up from his chair and say: “Have you got your keys?”

Presumably his envy of Gary had boiled over by this point? “No. Not at all, really. Because at that point,” he says, clearing his throat, “Gary and my personalities are so different. We recognised that. So the parts Gary was getting, I wasn’t right for anyway.”These days, if people think of the Kemps, they are more likely to picture Martin and his son, Roman, than Martin and Gary. He has surely overtaken his brother. “No. We’re a dynasty, I think,” Kemp says. And, sounding as if he is remembering how things were settled in childhood, he adds: “We take it in turns.” Lankford, Mike (17 August 2018). "The Keeper of the Keys Tells His Tale". lareviewofbooks.org. Los Angeles Review of Books . Retrieved 16 August 2020. a b "Professor Martin Kemp FBA". thebritishacademy.ac.uk. The British Academy . Retrieved 16 August 2020.

Do you know what it is? My dad was a really good artist. He used to paint beautiful pictures.” Mostly in oil crayons; Kemp has some on his walls. “But he worked in a factory. And I think in another life my dad would have been an artist. And he knew that he wanted to give me and Gary that chance.”

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You can see why the idea of self-renewal appealed, because on top of the health worries, being unable to work plunged his family – by then he and his wife, Shirlie, had two young children – into financial difficulty. No wonder that in 1998 when he was offered the part of Steve Owen in EastEnders, he jumped at it. Besides, they all get on too well. On Gogglebox, “you see me and Roman absolutely how we have been since he was a kid”, Kemp says. Years ago, he and Shirlie discussed their parenting philosophy and agreed “to bring Harley and Roman up as if they were mates”. Kinsella, Eileen (12 June 2019). "Debunking This Picture Became Fashionable': Leonardo da Vinci Scholar Martin Kemp on What the Public Doesn't Get About 'Salvator Mundi". artnet. Artnet Worldwide Corporation . Retrieved 16 August 2020. Dalivalle, Margaret; Simon, Robert Barry (2019). Leonardo's Salvator Mundi & The Collecting of Leonardo in the Stuart Courts (Firsted.). Oxford. ISBN 978-0-19-254328-8. OCLC 1127668595. {{ cite book}}: CS1 maint: location missing publisher ( link)

Leonardo da Vinci: Experience, Experiment, Design". vam.ac.uk. Victoria and Albert Museum . Retrieved 21 October 2020. Structural Intuitions: Seeing Shapes in Art and Science. Charlottesville: University of Virginia Press. ISBN 978-0-8139-3699-4. OCLC 936204711. Kemp’s role was “mediator”, he says. “If there were arguments, me and Gary could go into a room, argue it out. Even to the point where we used to have proper fist fights. Because the pressure of the whole thing was too much.” In the book, Kemp stops short of an apology. “Oh, listen,” he says immediately. “I would apologise to Tony, absolutely, for the way that he was treated. I think it was really poor.”If there were arguments, me and Gary could go into a room, argue it out. Even to the point where we used to have proper fist fights. Because the pressure of the whole thing was too much The domestic-themed stories make me wonder if the Kemps aspire to a Kardashian-style fame, a Keeping Up with the Kemps. “People have spoken about it several times over the years,” he says. “But I can imagine Roman not wanting to do that.” Living with Leonardo: Fifty Years of Sanity and Insanity in the Art World and Beyond. London: Thames & Hudson. ISBN 978-0-500-23956-8. OCLC 1029249747. Professor Kemp's library of Leonardo da Vinci books and ephemera is on long-term loan to the Faculty of History. This rare collection further contributes to the unique resources available to research students at Oxford. Leonardo Da Vinci: The Marvellous Works of Nature and Man. Oxford: Oxford University Press. ISBN 978-0-19-920778-7.