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The same applies to all medium format cameras, which are the next step in your analog journey. Thanks to their bigger negative than 35mm, it opens up possibilities to enhance your images, as the bigger negative means higher resolution images with greater detail and sharpness. You are also treated to different format cameras that can shoot different dimensions on a roll of 120 film. Beyond 35mm film, there are also large-format 'view' cameras. These take larger film formats like 120 and sheet film, and though they're slower to shoot and more expensive to prove, they deliver image quality that's pretty much unrivaled, with astonishing depth of focus and gorgeous latitude. It's a bit big and heavy for extended handheld use, though, and it's best used on a tripod. High-quality medium format film cameras are holding their prices pretty well at the moment, and you might have to shop around to get a good working, affordable example. Looking at the Hasselblad 500 C/M now, it's hard to believe this camera design first arrived in 1957. Its utilitarian box-shaped design looks as if it could have been designed yesterday, and modern high-end medium format cameras still use its flexible, modular design.
Auto Exposure - Found in a number of modern cameras, this is an exposure system that exposes the film correctly every time, without the adjustment of manual settings.
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While there are some outliers, the vast majority of 35mm films offer either 24 or 36 shots per roll. Film cameras fall into different size categories, just as digital cameras to today. 35mm cameras were 'miniature' models, believe it or not, and medium format cameras were called 'medium' because there was a 'large' format above that. These use sheet film, usually measuring 5 x 4", to offer supreme image quality. Its ISO 400 rating makes it a versatile option, allowing it to cover most types of photography. Portra 160 and Portra 800 films, both with similar although not identical colour and contrast characteristics, are also available should you need more or less light sensitivity. Expired film - Undeveloped film that has gone past its “sell-by-date” – resulting in crazy color shifts and unexpected effects. verifyErrors }}{{ message }}{{ /verifyErrors }}{{
Cross Process - There are two types of color film chemistry: C-41 (for color negatives) and E-6 (for color slides). Cross processing is, essentially, dunking unprocessed film in the “wrong” chemistry for its film type. When color slide film is cross-processed in C-41 chemistry, the resulting images have deeply saturated colors and high contrast. Let’s get the practical stuff out of the way first. Analogue photography is a multi-step process so, unless you’re using an instant camera, you’ll need to develop your film before you can see your photos. Photo labs may no longer be a high street staple but they’ve not gone the way of the dodo quite yet. Some branches of Boots, Jessops, Max Spielmannand Snappy Snaps still offer convenient walk-in film processing. Alternatively, you can have your film processed by sending it off in the post to Harrison Cameras, Peak Imaging, Analogue Wonderland or Take It Easy Lab. For example, the typical and most commonly used ratio in medium format cameras is 6 x 4.5, or 645 for short, however, if you want to double or even triple the size of a 35mm negative you can get medium format cameras that shoot 6x6 square format, like the popular Hasselblad 500 system, or other ratios of 6x7, 6x8 and the highest you can go on a roll of 120 - 6x9 when using a camera like the Fuji GW690. But bare in mind that the higher the ratio, the fewer images you will fit on a roll of 120 film. For instance, 645 cameras can produce either 15/16 shots on a roll, while 6x9 can only expose 8 - so choose wisely.It all began with a fateful encounter in the early 1990s, when a group of students in Vienna, Austria, stumbled upon the Lomo Kompakt Automat - a small, enigmatic Russian camera. Mindlessly taking shots from the hip, and sometimes looking through the viewfinder, they were astounded by the mind-blowing photos it produced - the colors were vibrant, with deep saturation and vignettes that framed the shot - it was nothing like they had seen before! Upon returning home, friends wanted their own Lomo LC-A, igniting a new style of artistic analogue photography that we now know as Lomography. It also outputs clean and consistent photos, and with a wide f/1.9 aperture lens and built-in flash, it makes it great to take out at night as well. This isn't a camera for capturing great artistry, but for capturing memories with ease, this is certainly a fantastic option. Double Exposure - A technique in which a piece of film is exposed twice. Double exposures can result in a dreamy, layered effect, or an upside-down, mish-mash world of your choosing!
Given its unrivalled popularity, we’ll be concentrating on 35mm film throughout our recommendations in this roundup, but it’s worth being aware of some of the other common formats available.
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As Lomographers we are passionate about the unpredictable beauty in film photography – the chunky film grain, light leaks, rich colors and surprising results. We know you’ll love it, too. Rest assured that we will help make your first foray into the analogue lifestyle comprehensive and fun. This handy guide is lovingly prepared for you by Lomography, a community dedicated to creative and experimental photography. We have been championing our passion for analogue photography for over 20 years!
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