Untrue

Product Information

The last voice we hear on Tunes 2011 to 2019 is that of The Wire’s inscrutable villain Marlo Stanfield: “Don’t rush me on shit. I’ll get at you when I’m at you.” Stanfield goes from being untouchable to considered a diminished force, but fundamentally stays undefeated. Given that all his moves seem loaded in one way or another, it’s easy to imagine Burial wielding this sample with deliberately renewed purpose. He’s there when he wants to be, out of the shadows, often at a moment and in a form you don’t expect. He was the beneficiary of an unrepeatable set of cultural and technological circumstances, but he’s massaged the myth adroitly. It makes following him as fun as any other musician working today—so we remain hooked, even if we kid ourselves that we’re over it.

Burial releases Untrue". Resident Advisor. 16 October 2007. Archived from the original on 19 December 2013 . Retrieved 18 August 2013.a b Gross, Joe (February 2008). "Burial: Untrue". Spin. Vol.24, no.2. New York. p.92. Archived from the original on 24 December 2013 . Retrieved 18 August 2008.

The 200 Best Albums of the 2000s". Pitchfork. 1 October 2009. p.8. Archived from the original on 22 August 2013 . Retrieved 25 June 2020.

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Smith, Lee (19 December 2007). "RA Poll: Top 10 albums of 2007". Resident Advisor. Archived from the original on 22 August 2016 . Retrieved 18 April 2013. Ultratop.be – Burial – Archangel" (in Dutch). Hung Medien. Archived from the original on 13 January 2014 . Retrieved 18 August 2013. When in line with the preferences you have shared with us, provide you with information or advertising relating to our products or services. Untrue is the second and most recent studio album by British electronic music producer Burial. Released on 5 November 2007 by Hyperdub, the album was produced by Burial in 2007 using the digital audio editing software Sound Forge. Untrue builds on the sound established by Burial on his eponymous debut album from the previous year, notably through its more prominent use of pitch-shifted and time-stretched vocal samples. The album, like Burial's previous work, also draws on influences from UK garage, ambient, and hardcore music.