Ed and Jo: Love, Art and Gloucester in the Summer of 1923

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The Nazit Mons, a mountain on Venus, is named for Nazit, an "Egyptian winged serpent goddess". [18] According to Elizabeth Goldsmith, the Greek name for Nazit was Buto. [19] Gallery [ edit ]

Another early depiction of Wadjet is as a cobra entwined around a papyrus stem, [7] beginning in the Predynastic era (prior to 3100 B.C.) and it is thought to be the first image that shows a snake entwined around a staff symbol. This is a sacred image that appeared repeatedly in the later images and myths of cultures surrounding the Mediterranean Sea, called the caduceus, which may have had separate origins. Generational Objects: Ida Applebroog’s History of Feminism’, Oxford Art Journal, 40:1 (Spring 2017), 133-151.Conceptual Devices: Anj Smith’s Painted Worlds’ in Anj Smith, ed. Sarianne Soikkonen (Tampere, Finland: Sara Hildén Museum, 2018), 12-21. a b c d e f Bianchi, Robert Steven (2022). "A Bronze Reliquary for an Ichneumon Dedicated to the Egyptian Goddess Wadjet". Arts. 11 (1): 21. doi: 10.3390/arts11010021. ISSN 2076-0752.

In 2008 Jo was Associate Scholar at the Canadian Centre for Architecture, Montreal, and in 2012 she was the recipient of a Philip Leverhulme Prize. In 2016 she was Visiting Scholar at the University of Cambridge Centre for Gender Studies, a Fellow of Corpus Christi College, and Senior Scholar at the Terra Foundation Summer Residency in Giverny. In spring 2022 she was invited professor at Université Paris 1, Panthéon-Sorbonne. Kusama’s Object World’ in Yayoi Kusama: A Retrospective (Humlebaek, Denmark: Louisiana Museum of Modern Art, 2015), 44-77. If I measure it must exist’ in Frances Richardson: If I measure it must exist (London: Karsten Schubert, 2021), 2-8 . Yayoi Kusama: Without Beginning, Middle, or End’ in Traumata, ed. Emma Baker (London: Sothebys S/2, 2017), 66-80.

The Gods of Ancient Egypt...

Assemblage, Bricolage and the Obsolete’, eds. Jo Applin, Anna Dezeuze, and Julia Kelly, Art Journal, 67:1 (Spring 2008)

Carolee Schneemann’s Constructed Environments’ in Carolee Schneemann: A Retrospective (London: Barbican Art Gallery, 2022), 48-53. James, T.G.H. (1982). "A Wooden Figure of Wadjet with Two Painted Representations of Amasis". The Journal of Egyptian Archaeology. 68: 156–165. doi: 10.2307/3821635. JSTOR 3821635– via JSTOR. James Stevens Curl, The Egyptian Revival: Ancient Egypt as the Inspiration for Design Motifs in the West, Routledge 2005The Egyptian word wꜣḏ signifies blue and green. It is also the name for the well-known "Eye of the Moon". [11] Indeed, in later times, she was often depicted simply as a woman with a snake's head, a woman wearing the uraeus, or a lion headed goddess often wearing the uraeus. The uraeus originally had been her body alone, which wrapped around or was coiled upon the head of the pharaoh or another deity. [8] Alberto Burri and Niki de Saint-Phalle: Relief Sculpture and Violence in the Sixties’, Source: Notes in the History of Art, 27:2 (Winter 2008), 77-81. Lee Lozano: Not Working (New Haven and London: Yale University Press, 2018). Winner of the Suzanne and James Mellor Book Prize, National Museum of Women in the Arts, Washington DC