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Pener, Degen (August 22, 1993). "EGOS & IDS; Deborah Harry Is Low-Key – And Unblond". The New York Times. Archived from the original on April 19, 2021 . Retrieved November 7, 2007.
Gibson, William (1992). "Introduction to Agrippa: A Book of the Dead". Archived from the original on November 20, 2007 . Retrieved November 11, 2007. a b Sponsler, Claire (Winter 1992). "Cyberpunk and the Dilemmas of Postmodern Narrative: The Example of William Gibson". Contemporary Literature. 33 (4): 625–644. doi: 10.2307/1208645. JSTOR 1208645. S2CID 163362863. Terror, Jude (July 12, 2018). "Johnnie Christmas to Adapt William Gibson's Unpublished Aliens 3 Script as a Comic Book". Bleeding Cool. Archived from the original on November 9, 2020 . Retrieved September 6, 2020. Person, Lawrence (Winter/Spring 1998). "Notes Toward a Postcyberpunk Manifesto". Nova Express 4 (4) . http://features.slashdot.org/article.pl?sid=99/10/08/2123255 . Retrieved 2007-11-06. Dyer-Bennet, Cynthia. "Cory Doctorow Talks About Nearly Everything". Inkwell: Authors and Artists. The Well. Archived from the original on September 27, 2007 . Retrieved August 30, 2007.
Wikipedia citation
Gibson, William (August 15, 2005). "The Log of the Mustang Sally". Archived from the original on February 8, 2008 . Retrieved January 21, 2008. Burning Chrome (1986, preface by Bruce Sterling), collects Gibson's early short fiction, listed by original publication date: Frelik, Paweł (2012). "Review of William Gibson: A Literary Companion". Journal of the Fantastic in the Arts. 23 (3 (86)): 506–508. ISSN 0897-0521. JSTOR 24353095. a b Brown, Charles N.; William G. Contento (July 10, 2004). "Stories, Listed by Author". The Locus Index to Science Fiction (1984–1998). Locus. Archived from the original on March 4, 2007 . Retrieved October 29, 2007. The New York Times bestselling author of Neuromancer and Agency presents a fast-paced sci-fi thriller that takes a terrifying look into the future.
Pesce, Mark (July 13, 1998). "3-D epiphany". Salon.com. Archived from the original on July 14, 2014 . Retrieved November 6, 2007. Neuromancer is considered "the archetypal cyberpunk work". [16] Outside science fiction, it gained unprecedented critical and popular attention [1] as an "evocation of life in the late 1980s", [17] although The Observer noted that "it took the New York Times 10 years" to mention the novel. [18] By 2007 it had sold more than 6.5million copies worldwide. [12] Gibson, William (2003-01-01). "(untitled weblog post)" . http://www.williamgibsonbooks.com/blog/2003_01_01_archive.asp#90158337 . Retrieved 2008-01-21.
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Neuromancer Coming To The Big Screen". comingsoon.net . http://www.comingsoon.net/news/movienews.php?id=20507 . Retrieved 2007-05-18.
Day, Dwayne A. (April 21, 2008). "Miles to go before the Moon". The Space Review. Archived from the original on May 14, 2008 . Retrieved April 21, 2008. Liu, Alan (June 30, 2004). The laws of cool: knowledge work and the culture of information. Chicago: University of Chicago Press. pp. 339–48. ISBN 978-0-226-48698-7. OCLC 53823956. Poole, Steven (May 3, 2003). "Profile: William Gibson". guardian.co.uk. London. Archived from the original on January 25, 2014 . Retrieved April 27, 2010.
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Gibson wrote the following in the "Author's Afterword" of Mona Lisa Overdrive, dated July 16, 1992.
Peter Riviera. A thief and sadist who can project holographic images using his implants. He is a drug addict, hooked on a mix of cocaine and meperidine. Blue Ant Series". Goodreads. Archived from the original on April 19, 2021 . Retrieved November 26, 2017.
Inkpot Award". December 6, 2012. Archived from the original on January 29, 2017 . Retrieved October 23, 2020. Neuromancer was commissioned by Terry Carr for the second series of Ace Science Fiction Specials, which was intended to feature debut novels exclusively. Given a year to complete the work, [5] Gibson undertook the actual writing out of "blind animal panic" at the obligation to write an entire novel—a feat which he felt he was "four or five years away from". [1] After viewing the first 20 minutes of the landmark film Blade Runner (1982), which was released when Gibson had written a third of the novel, he "figured [ Neuromancer] was sunk, done for. Everyone would assume I'd copied my visual texture from this astonishingly fine-looking film." [6] He re-wrote the first two-thirds of the book 12 times, feared losing the reader's attention and was convinced that he would be "permanently shamed" following its publication; yet what resulted was seen as a major imaginative leap forward for a first-time novelist. [1] He added the final sentence of the novel at the last minute in a deliberate attempt to prevent himself from ever writing a sequel, but ended up doing precisely that with Count Zero (1986), a character-focused work set in the Sprawl alluded to in its predecessor. [7] Plot [ edit ] Cover of a Brazilian edition, depicting the "razorgirl" Molly Millions UBC Alumni: The First Cyberpunk". UBC Reports. 50 (3). March 4, 2004. Archived from the original on January 8, 2008 . Retrieved November 2, 2007. Dave Langford reviewed Neuromancer for White Dwarf #59, and stated that "I spent the whole time on the edge of my seat and got a cramp as a result. In a way Gibson's pace is too frenetic, so unremitting that the reader never gets a rest and can't see the plot for the dazzle. Otherwise: nice one." [10] The novel has had significant linguistic influence, popularizing such terms as cyberspace and ICE ( Intrusion Countermeasures Electronics). Gibson himself coined the term "cyberspace" in his novelette " Burning Chrome", published in 1982 by Omni magazine. [18] It was only through its use in Neuromancer, however, that the term Cyberspace gained enough recognition to become the de facto term for the World Wide Web during the 1990s. [19] [20] The portion of Neuromancer usually cited in this respect is:
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