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But, whereas "Snow" has a sense of unity and direction (the relationship between the brothers and the on-going, growing story of the angels), many of the other poems seem to lack these. I came to this collection shamefully late, especially considering the more than a decade under the influence of his music in Silver Jews, of which David Berman is the frontman along with members of the band Pavement (including the always amazing Stephen Malkmus and on a few Bonnie 'Prince' Billy tracks). The book was originally published on paperback in 1999 by Open City; Drag City printed its first hardcover copies in 2003.

Other effective elements of "Snow"-- its clear sense of unity and direction-- seem lacking in many of the other poems, often leaving me floundering and annoyed.It's whatever the opposite of Kafkaesque would be: instead of dwelling on the horrors of bureaucracy and its totalitarian overgrowth, Berman describes the evils of American society with beautiful imagery.

However, the first poem in this collection, "Snow", I had read before; it may be a "greatest hit" of sorts for him, as there seem to be a lot of online references and commentary about it.

I think there’s a sort of (potentially stereotype-like, though not to me) concept of what the working-class life might seem like in terms of day-to-day details at home with “appliance failures on Olive Street” and “the complex Italians versus the basic Italians”. It is playful yet heartfelt at all times and embodies a modern generation by etching a detailed portrait out of prose alone.

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