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The Golden Mole: and Other Living Treasure: 'A rare and magical book.' Bill Bryson

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And the final criterion was just love: creatures I longed to have an excuse to spend a month or so reading books about. The Golden Mole – the only iridescent mammal, which does not know that it shines – is one of my favourites – and lent itself to the broader idea of golden and treasure. (In the sense that, what is the finest treasure? It’s the living world, and the earth it depends on.)

Change the plan you will roll onto at any time during your trial by visiting the “Settings & Account” section. What happens at the end of my trial? BB: The alive-ness of your interest in the world electrifies and connects all your work. Do you worry that it’s filtered through a screen or smartphone for many children? Rundell’s selection is rangy and personalised. There’s bound to be animals one feels to have been unfairly overlooked, and I would have liked to see her on at least one bird of prey, or declining beetle, or endangered cat. The Bengal tiger would have been too much to ask: a whole book would be required to explore the references and resonances that accompany it. The lynx, though, is secretive and mysterious enough not to have already exhausted our cultural imaginations, and could fit snugly into one of these short entries. Some animals that would have most brilliantly galvanised Rundell in the telling and fit well into her format, rich as they are in folklore, misunderstanding and wild factoids, are doing just fine. The spotted hyena, much maligned and endlessly fascinating in terms of legend and science, by and large doesn’t need the help of a book like this. Rundell’s latest LRB piece has been published this month, and is on hummingbirds. As it’s not included here, maybe there’s a second edition of this golden treasury being planned.Rundell’s sentences are small miracles that charm, like a soft hand on the reader’s cheek. “The first lemur I ever met was female, and she tried to bite me, which was fair, because I was trying to touch her, and because humans have done nothing to recommend themselves to lemurs.”“I once met a half-tame she-wolf… she smelled… of dust and blood. She did not want to meet my eye. Wolves are like the fairy tales they prowl through: wild, and not on any body’s side.” And on, beguilingly, she goes. Events of recent weeks may have encouraged some to think about longevity and constancy. But when we value “living memory” we seem able only to measure it in human terms. To be truly long-memoried on this Earth, you would probably have to be a Greenland shark. As Katherine Rundell reports, a Greenland shark presently cruising the dark depths of the Arctic Ocean might have been doing so even as the plague swept London. Its great-great-grandparents may have known Julius Caesar, so to speak. It takes 150 years for a female to reach sexual maturity. “For thousands of years Greenland sharks have swum in silence, as above ground the world has burned, rebuilt, burned again.” They also smell strongly of pee.

Dolphins whistle to their young in the womb for months before the birth, and for two weeks afterward – the others in the pod remain quiet so as not to confuse the unborn calf as it learns its mother’s call. Rundell shows us that the human imagination often looks pedestrian next to nature’s real ingenuity; our fairytales can seem like mundane placeholders for more wonderful truths. It was once proposed that storks “wintered on the moon”; we couldn’t have imagined that a mere two centuries later their wings would reveal the key to human fight. No Roman naturalist or German scholastic would have dared suggest swifts fly the equivalent of five times round the Earth every year. The US Navy models underwater missiles on the body shape of bluefin tuna. But biotech is yet to emulate the properties of the golden orb spider’s web, which can last years. MyHome.ie (Opens in new window) • Top 1000 • The Gloss (Opens in new window) • Recruit Ireland (Opens in new window) • Irish Times Training (Opens in new window) I haven’t yet read Super-Infinite. But, early in the new year, as I was scanning my piles of unread books for something diverting, I noticed that a publisher had sent me another work of Rundell’s. BB: You’re a Fellow of All Souls, Oxford, and published an acclaimed book, Super-Infinite, on John Donne this year. Where do your adventure stories for children fit in?KR: There are many writers about the environment whose work I love, who write urgently and well about climate change, either directly or indirectly: Wendell Berry, Frantz Fanon, Naomi Klein, George Monbiot, Greta Thunberg, Marilynne Robinson. But I think the thing that is most galvanic is the natural world itself, and the increasingly terrifyingly visible truth of its peril. Despite being a firm fiction fan, Chris Deerin stumbled upon a slim volume of essays in 2022 that he can’t stop thinking about. KR: I do! I have several full notebooks, and a cascade of notes on my phone, many of which I’ll never use. Frank Cottrell Boyce, a writer I admire hugely, always says that writers should keep a diary: but that it should be by force limited to a single sentence a day: the most interesting, funniest, saddest thing you heard that day, so that at the end of the year you have 365 interesting sentences. I’m imperfect at keeping up with it, but I love the idea. Often my single sentence will be a note of something I read about the natural world. KR: My next book, which I hope will be out in about a year, will be another children’s novel – I’m working on it now, and I think, after deleting quite a lot of it, and starting again, it’s finally falling into place, and I have that fantastic feeling of something that is, after a lot of false starts, finally taking off. I’ve had a novel for adults for a long time – it’s something I work at in snatched moments, late at night, so I think it won’t happen for a fair few years: but I hope to finish it eventually.

KR: The World Wildlife Fund for land, whose work I’ve admire all my life, and a wonderful small charity called Blue Ventures for the sea. KR: I was recently part of a Royal Society of Literature committee that involved, in the search of Fellows from further afield, reading a lot of literature in translation, so I have just recently fallen in love with the novels of Yoko Ogawa and The Shape of the Ruins by Juan Gabriel Vásquez. By title alone The Golden Mole sounds as though it would be a charming book, a cross between a treasury and a bestiary. The subtitle is indeed “And Other Living Treasure”. At first glance its structure, short essays each prefaced with a beautiful, grey-on-gold illustration by Talya Baldwin, might suggest a children’s wildlife encyclopaedia or a coffee-table Christmas gift book. Rundell is indeed a children’s author and has been shortlisted for the Carnegie Medal; the book is indeed charming. She has mastered a sprightly, enthused tone for her essays, which come at their subjects from unexpected angles. She is good with the arresting opening line: “It was, perhaps, a hermit crab that ate Amelia Earhart.” “Hares have always been thought magic.” There is much lore and plenty of what the Americans call “fun facts”. Take hermit crabs, for example. Coconut hermit crabs are land crabs, so called because they can prise open a coconut. They can live to be 100 and grow to a metre across, “too large to fit in a bathtub, exactly the right size for a nightmare”. Fun facts, perhaps, but her purpose is serious. From bears to bats to hermit crabs, a witty, intoxicating paean to Earth's wondrous creatures [...] shot through with Rundell's characteristic wit and swagger."In November’s C&TH Book Club , Belinda Bamber talks to Katherine Rundell about her new book, The Golden Mole, a gilt-edged treasury of animals that invites readers to reopen their eyes to the endangered glories of the natural world. Katherine has also just won the Baillie Gifford Prize for Non Fiction 2022 for her previous book, Super-Infinite: The Transformations of John Donne, a biography of the poet. A book as rare and precious as a golden mole. A joyous catalogue of curiosities that builds into a timely reminder that life on planet is worth our wonder." A wondrous ode to nature's astonishing beauty – and an elegy for all the life we are in the midst of destroying. This is a book filled with love and hope and whiskers and wings, by turns ravishing and devastating. No one sings the praises of the world quite like Katherine Rundell." Forgotten the title or the author of a book? Our BookSleuth is specially designed for you. Visit BookSleuth

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