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Mister God, This is Anna

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you know has got Mister God in his middle, and so you have got his Mister God in your middle too. It's easy.” You see, Fynn, Mister God is different because he can finish things and we cant. I cant finish loving you because I shall be dead millions of years before I can finish, but Mister God can finish loving you, and so its not the same kind of love, is it?” There are some who say this child could not have just come to live with this family, It did happen in the 1930's and having little children run the streets was not unheard of. There are some who may say no child could ever do or think what Anna did but I am here to tell you, I personally know of at least one. And don't forget Mozart wrote music at this same age and played his sister's violin without being taught at this same age or younger. One of the things about Anna is the incredible relationship she had with 'Mister God'. Not some distant childhood vision of a god sitting on a throne up in the clouds, but in her wonderful matter of fact way she just really knew 'Mister God'. And her insights were just incredible. And as you read you find yourself, along with Fynn, learning so much. Anna's mirror book, her understanding that you can do billions of sums when you start with the answer, the way she could see everyday objects in a way which reflected her understanding of 'Mister God' are just some of the amazing aspects of Anna. At five years Anna knew absolutely the purpose of being, knew the meaning of love and was a personal friend and helper of Mister God. At six Anna was a theologian, mathematician, philosopher, poet and gardener. If you asked her a question you would always get an answer – in due course. On some occasions the answer would be delayed for weeks or months; but eventually, in her own good time, the answer would come: direct, simple and much to the point." [3]

Anna dies before she even reaches her eighth birthday and yet at the end of the book I put it down with a sense of feeling full, of wonder and of gratitude for the life she lived and the impact she made. "Anna's life hadn't been cut short, far from it, it had been full, completely fulfilled" There are some thoughts in the book that did not resonate with me, but much that did. In fact, so much so that I began reading aloud full chapters to various members of my family and enjoying the passages even more with each reading. Anna has the capacity to think out of the box, so to speak, because she has never been fettered with a box. Fynn is something of a child prodigy himself when it comes to all things mathematical. The combination of the two produces some amazing theories about metaphysics and Christianity. This is by no means a sentimental, trite, or simple story, as the title might suggest to today's reader. In fact, I intend to re-read parts of it and add reference notes in my copy of the book. As a whole it is beyond amazing. It is astounding. I was sufficiently troubled about all this to execute some google searching. Searching the word "Fynn", I found: http://en.wikipedia.org/wiki/Mister_G...could become a world of iron mountains, of iron plains with crystal trees.It was a new world to explore, a world of the imagination, a world where few people would or could follow her. In this broken-off stump was a whole new realm of possibilities to be explored and to be enjoyed.

Even the dirt and the stars and the animals and the people and the trees and everything, and the pollywogs?” The pollywogs were those little creatures we had seen under the microscope. Aside from any spiritual implications, I remember the book’s emphasis on thinking for oneself, which I have tried latterly to hang on to, even at the risk of sounding like an idiot, or – more usually – proving myself one. As children, we thrive by thinking for ourselves. As adults, we’re cursed with sophistication. We recycle ideas, parade breadth of learning, are paralysed by the thought of being wrong. We call this sophistication cultural capital, which seems to me a good term because it is a currency: a system of value rather than the thing of value. of God. It isn't the devil in humanity that makes man a lonely creature, it's his God-likeness. It's the fullness of the Good that can't get out or can't find its proper "other place" that makes for loneliness.Anna's misery was for others. They just could not see the beauty of that broken iron stump, the colors, the crystalline shapes; they could not see the possibilities there. Anna wanted them to join with her in this exciting new world , but they could not imagine themselves to be so small that this jagged fracture Anna is involved with everything. The gist of the book is the philosophy of a child who has the wisdom to comprehend more than what would be expected of her.It seemed to me to reduce itself to the fact that we were like God because of the similarities, but God was not like us because of our differences. Her inner fires had refined her ideas, and like some alchemist she had turned lead into gold. Gone were all the human definitions of God, like Goodness, Mercy, Love, and Justice, for these were merely props to describe the indescribable. bird?" Indeed, how could he? So, like Alice in Wonderland, Anna ate of the cake of imagination and altered her size to fit the occasion.After all, Mister God did not have only one point of view but an infinity of viewing points, and the whole purpose of living was to be like Mister God. So far as Anna was concerned, being good, being generous, being kind, praying, and all that kind of stuff had very little to do with Mister God. They were, in the jargon of today, merely Es ist kein allzu trauriges Buch, da man von vornherein das Ende kennt, allerdings musste ich mir dennoch am Schluss ein Tränchen verkneifen, da es wirklich ein 'schönes' Ende war. Toll beschrieben und mit einer wunderbaren Anekdote, die zum Buch passt. Wundervoll! I don't know why I was getting the feeling that this account is partly fictionalised. Children can be precocious but this book does seem to be a stretch. So many of the conversations seem impossible for a 5-7 year old. The pessimistic part of me just doesn't let me trust this narrative to be entirely based in reality. The ending of the book describes Anna's death at age seven after falling from a tree and Fynn's profound grief. "She never made eight years, she died by an accident. She died with a grin on her beautiful face. She died saying, 'I bet Mister God lets me get into heaven for this'." [4] Fynn experiences a period of angst, blaming God, but when he visits Anna's grave and sees it to be a riot of flowers, he lets go of his anger against God. The answer, he realizes, is "Anna is in my middle". This particular reference is to a conversation between Anna and Fynn. God is part of everybody and everybody is part of God. Fynn walks away from her graveyard with renewed hope.

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