Peter Berlin: Icon

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Increasingly we believe the world needs more meaningful, real-life connections between curious travellers keen to explore the world in a more responsible way. That is why we have intensively curated a collection of premium small-group trips as an invitation to meet and connect with new, like-minded people for once-in-a-lifetime experiences in three categories: Culture Trips, Rail Trips and Private Trips. Our Trips are suitable for both solo travelers, couples and friends who want to explore the world together. Berlin’s cultural contributions were so many decades ahead of his time and so unique—not fitting cleanly into either the world of art or the world of pornography—that understanding their relevance and impact requires the invention of a new terminology. I propose the word photosexuality and aim to make the case that Berlin was the first acclaimed male photosexual and the leading pioneer of its practice. As I see it, photosexuality is a contemporary mainstream sexuality in which erotic self-portraiture—the documentation of one’s own sex acts and the private and public distribution of those images—is intertwined so completely with one’s sex life that it becomes as important as the sex acts themselves and, in some cases, even more important.

Another '70s icon, plus-sized drag star Divine, gets her own homage in a show at the Fringe Festival (an annual event for people who must really love theater, because there's never enough air conditioning, lol). Written by E. Dale Smith from a concept by Braden Chapman (a.k.a. drag star Mimi Imfurst), Divine/Interventiontakes us to the end of Divine's life in 1988, as the John Waters cult star is about to do a guest role as a man on Married With Children, a career twist that tragically wasn't meant to be. Jonny is extremely personable and generous. In fact, after a Flaming Saddles bartender hopped atop the bar to do some elaborate two-stepping, he didn't think twice about handing the guy a five dollar tip. "He really did amazing stuff up there," Jonny told me, "plus before we were anything, he used to work at Mother Burger [an HK restaurant], and I'd go to him to get fed. He'd give me a free burger because I was hungry." Anyone who hands out food to future stars and can also dance up a gay storm on a bar deserves a shot at President, in my opinion. If he also knows who Peter Berlin is, he can definitely be my next husband. It just happened. My life happened, it was not me having a vision, when I started to photograph myself that’s how it started. A friend said, ‘Oh Peter maybe you should just show it’ and he had a gallery in Berlin and he put it on the wall and that’s where it started to be public. And then of course I made two films because I met this guy in San Francisco and he had a camera, and he said you know let’s make a porno. Because that’s the only thing I was so obsessed with: sex.” More naked young men join the photo shoot; they adore Berlin as he stands on a podium like a statue while the camera continues to flash. “I want to take pictures of them watching you,” the cameraman exclaims. “I want my camera to hold you all. To capture every one of you in its fine lens.” The climax of the scene has no penetrative sex or ejaculation. It ends with a slideshow of imagery hitting a rapid-fire pace. The erotic thrust of the scene is not traditional, not solely based on men’s enjoyment of each other’s bodies. It favors the camera’s actions and outcomes over penetrative sex or climax. Much more than just a simple pornographic film, through the lens of history, That Boy can now be understood as a photosexual manifesto.Armin Hagen Freiherr von Hoyningen-Huene (28 December 1942) is a German-American photographer, artist, filmmaker, clothing designer/sewer, and model best known by his stage name Peter Berlin. In the early to mid-1970s. [1] Berlin’s photographic project is arguably closer to performance art, in that the act of cruising in his elaborate getups was the point of his ambitious pursuits. The expertly composed and printed photographs, gorgeous art objects in and of themselves, are ultimately records of his sexually pointed happenings. Berlin's photographs and artwork have been exhibited around the world, including the exhibition "Split/Vision" (New York, 1986), curated by Mapplethorpe, and in the exhibition "Berlin on Berlin" (2006) at the Leslie Lohman Gallery in New York.

Berlin designed and sewed all of his clothing without a pattern. He also was a painter and illustrator. He began photographing himself in erotic poses and making skin-tight clothes to wear as he cruised the parks and train stations of Berlin, and the streets of Rome, Paris, New York and San Francisco. Many of his designs are now seen in the fashion works of such international designers such as Jean Paul Gaultier. [ citation needed] Filmmaking and celebrity [ edit ]Every morning, I wake up and say to myself, "Do something." I'm not doing a thing, actually, for decades. I'm very much using my head and I'm entertained by my own brain. I'm not very happy with my life because I feel I'm wasting my time, but I'm not so unhappy that I do anything about it. Life is actually very simple. We lost that compass of decency, normality, and beauty. We are all running after money and fame. I can't take it seriously. That's why I haven't done anything in years. But I don't feel good about it.

Peter Berlin grew up in Berlin in the 1940s and 1950s. He studied photography and his first job was working for the fashion photography journal, VIP Shaukel. This “ordinary life,” however, did not last long. A Dorian Gray-type character, Berlin once caught sight of his own reflection in a shop window in Paris; mistaking his own face for that of another and believed he had found true love. Of course, even then, the relationship between sex and the camera was far from new. Since its inception, the camera had been used to document the beauty and wonderment of the naked human form. What was new about Peter’s approach was that it was an independent enterprise. He wasn’t a muse for another artist or a model for a pornographer; nor was he a sex symbol produced by a film studio, like Garbo, Brando, or Monroe. He didn’t wait for an adoring and powerful benefactor to hand him the capitalist machinery of star production. As an out gay man, such tools were only available to his counterparts who had agreed to remain closeted for the purpose of becoming cultural icons. Berlin, on the other hand, valued himself and his sexuality with such militant pride that he took his identity into his own hands and became his own muse. “I wanted to turn myself into the type of man I wished I would see on the streets,” he has said as a way of explaining his style.At the Mine Shaft, did you sprawl out in the famous bathtub and get urinated on, perchance? That was a common occurrence there. If Narcissus—the famous character from Greek mythology—had been mentored by Peter Berlin, his story might not have ended in tragedy. After falling in love with his own reflection and then realizing that it actually wasn’t another person, Narcissus was so devastated by the prospect of never being able to experience true romantic love that he took his own life. But had he come of age in the early ’70s, when the tools of photographic reproduction were available to the general public, Peter Berlin’s example would have taught him that focusing entirely on your own image can be quite a satisfying substitute for traditional romantic love. That Man: Peter Berlin had its world premiere at the prestigious Berlin International Film Festival and was an official selection of over 65 film festivals, including the Seattle, Chicago, Palm Springs, Rio, and Durban International Film Festivals. In January 2006, the documentary opened theatrically to great acclaim. A Special Edition DVD was released by Water Bearer Films. In addition, That Man: Peter Berlin is available for streaming on Vimeo On Demand and Fandor. In a way he had, as his life’s work became the creation of a corpus of imagery celebrating and indulging his own beauty. Although never his intention, he transformed gay erotica into an art form, creating images that spoke to an audience wider than just the gay world. His constant arousal stimulates a tangible energy – in the process of seducing himself he seduces the viewer. In a paradox of creation, his images do not speak of self-obsession or arrogance, but of confidence and honesty.