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Unraveller

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There's an overarching plot having to do with large, shadowy conspiracies (of course; this is Hardinge, after all), but the start of the story feels almost picaresque as Nettle and Kellen travel around unravelling curses. This is a job the impetuous Kellen is quite unsuited for, as a curse cannot be unravelled without identifying the curser and their motivation. That's where the cooler-headed and reserved Nettle comes in. Some of these episodes are fascinating and have the texture of folklore (Pale Mallow the bog-witch!), and many of the cursers are sympathetic - victims themselves who were given, unasked, the power to take revenge. I expected nothing less from Frances Hardinge… Fairytale unique story, loveable characters, crazy imagination but also felt so interesting and addictive, those are all I got in “The Unraveller” I loved every single second of this immersive (and utterly addictive) masterpiece. And reading this genuinely felt like one of those vivid dreams that you find soo beautiful you desperately hope never to leave. It’s only on closer inspection do you realise you’ve actually stumbled into a nightmare of the strange and magical—that’s what Unraveller felt like, but in the most glorious way. L'ho trovata una storia avvincente e suggestiva, ispirata da varie fiabe gotiche (tra tutte, la fiaba dei Cigni Selvatici di Andersen), ma sempre tesa a sviscerare il problema del senso di colpa di chi maledice e la sofferenza di chi subisce e viene guarito. Spesso, le maledizioni traggono origini da motivi futili, da incomprensioni familiari, ed è vero il concetto che il male invocato può ritorcersi contro chi ne ha fatto un uso dissennato.

I’m happy to say that Unraveller did indeed have all the magic I expected! Reading this aloud with my kids, I was again swept up in a story full of wonder and joy. But it also discussed the power of pain and anger and forgiveness, the consequences of keeping your anger and resentment close until it turns into something you’re unable to control.

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Perhaps you will decide that all the stories of the Wilds and the Raddith cursers were invented to entertain tourists. And at night, when you see a many-legged shape scuttle across the ceiling of your bedchamber, you will tell yourself that it is a spider, and only a spider… After being imprisoned for mouthing off to some pompous idiot merchant, Kellen is rescued by a marsh horse and her rider on behest of their female patron - she has a job for the unraveller. Another creative well-written young adult fantasy from the master of the atmosphere and whimsy. Even though this felt so unlike all the other books I’ve read penned by her. If you’ve been following Hardinge’s career so far, you know she’s into whimsical, often surreal stories written in ornate language. This was different. This was .. overstuffed, crowded. I really liked both main characters we’re introduced to. Kellen is a rash, flawed and complex character who finds himself with a gift to unravel the curses that are inflicted from “cursed eggs”, formed from the build up of people’s long buried hatred and spite. I really enjoyed exploring his concept of justice, but his anger issues (one of his biggest flaws) were also really interesting to watch as his “gift” of unravelling can cause everything in his vicinity (garments, furniture, objects) to unravel when he experiences heightened emotions. Most of the narrative revolves around his impulsive tendencies and the result of his rash decisions—most of which do get him into a spot of trouble on more than one occasion. But his journey does involve some self reflection and I enjoyed seeing him learn the importance of having a little patience.

You have of course heard that some people in Raddith are able to curse their enemies. It sounded so picturesque when you were reading about it at home, like a fairytale. Once again Frances Hardinge has delivered a story that's a little bit different and creepily atmospheric. Set in a world full of disagreeable magic and malicious curses, the plot is complex, multilayered and full of rich imaginings. It introduces us to a whole host of questionable characters. Those who curse, those who are cursed and anything and everything in between - think inventive supernatural creatures. I loooved this world where hatred could make certain people develop a form of magic that could curse other people. The way the magic worked, what was done to them (or not), the firm the curses usually took ... it was rather wonderful (in a very dark and twisted way). Especially since it gave a unique perspective on greed, desire, revenge and the twisted forms love can take. Kellen is a young man with an uncanny gift: he can undo (unravel) curses. That's how he met Nettle. She and her siblings had been cursed by their stepmother and Kellen helped ... only Nettle didn't leave his side afterwards and now they are traveling this strange, hate-driven world together. Written in 2 POVs: Kellen and Nettle, they live in The Wilds… where anyone can create a “Life Destroying Curse” people can turn into animal, grow strange things on their bodies, even turn into things. Kellen has the ability to “unravel” curse… he can cure the cursed people tho not everyone happy about it and some even want to capture him because of this special ability.The rest aren’t bad people. They’re just desperate and wounded, putting their faith in the first person who told them they weren’t monsters.” I can't really shake the feeling that all the people raving about all the "layers" in this book must not read awfully complicated books often, because I found the "layers" utterly underwhelming. It sounds very critical and don’t get me wrong, there’s so much creativity and enjoyment here. But it just never came together and I never cared about any of the characters. And then that overcomplicated ending just happened and I was already losing patience by that point. I doubt I’ll remember much of this story in a few months. Regrettably, this one joins the other forgettable books, like Skinful of Shadows, Verdigris deep and Deeplight. Unraveller features Kellen, an unraveller of curses and Nettle, a former cursed one whom Kellen has unravelled along with her siblings. The two pair together and travel unravelling people's curses, but find themselves imprisoned in the first few chapters. They're offered a release through the form of a contract with a one-eyed Horseman (Gall) who is the messenger for someone higher up but that's not revealed until later and there are no spoilers here! Kellen, Nettle and Gall and his horse visit the Red Hospital where cursers are kept and discover an escapee and the rest of the book follows their journey to find the fugitive so they can unravel a curse. On the way, they travel through Mizzleport, the Highlands, Shallow Wilds, Deep Wilds and more meeting a variety of characters: the cursed, cursers and everyone in between whilst unravelling a deeper conspiracy involving the government of Chancery itself.

Unraveller is a story with so much plot that never lulls and yet never feels rushed. It’s rooted in the ideas of strong friendship and responsibility, the subtle but extremely important distinctions between anger and hate, and recognition that there are at least two sides to every story, and what you believe isn’t always true. It is about the importance of thinking for yourself and asking questions, even when painful and uncomfortable, and questioning assumptions, and thinking about the consequences. It’s a story about learning to deal with your pain, and not in the easy way. And it’s a story about the power of understanding and empathy, and the heavy weight of guilt. I like sinking into a Hardinge book knowing absolutely nothing. Not even reading the flap copy. It makes for a uniquely rewarding experience. And, to my delight, I discovered that this particular book was attempting something wholly original. At its heart, this is a detective novel. You have our two heroes, one the detective who can unravel each case they come across and other the moral compass that keeps him pointed north. You have evil on both a governmental level (always a topic Hardinge enjoys) and on a smaller more cult-like level. But through it all our two heroes are interviewing suspects, solving crimes, and trying to keep from getting gutted along the way. So much of the fun comes from watching Kellen gather the clues together to find the connecting (forgive me) thread. It’s not Agatha Christie but it ain’t half bad. Sometimes you catch on to what Kellen’s after before Nettle does, but most of the time you’re with her, floundering along in his wake. The story itself follows Kellen, it's unruly protagonist, who has a rare and highly sought after gift. A gift that allows him to unravel (undo) the previously mentioned curses. We witness as he and his unusual companions, throw themselves deep into the unknown, in a bid to save those who have been cruelly jinxed and to bring down a unidentified enemy abetting those who curse. Of course, nothing is quite as it seems...Così la trama prosegue su due filoni: le indagini dei ragazzi per sciogliere le maledizioni locali che incontrano, e la ricerca, più generale, per capire chi sono i veri nemici e i membri di Salvezza. But I also loved the more visual parts of the worldbuilding. From bogs to marshes, from rivers to the metropolis; whether we were in lonely places or ones bursting from the seams with inhabitants - this world was beautiful in every way. The Wilds, which run along the coast of Raddith, are a place of mystery and magic and legend, home to beings like marsh horses and Dancing Stars and, most importantly, Little Brothers, which are kind of like spiders, except not really. They weave and they have many legs, but they can also give people the power to curse others. “The curse then nestles in the host’s soul like an unhatched egg, growing in power, until the curser is ready to unleash it upon an enemy.” Discovering the flaws in one’s society (large or small, country or village) is a huge and important part of growing up, and one that Hardinge explores and pokes at with questions and ideas. If anyone can do something wrong, or feel something wrong, and wind up an outcast, then what? What grace can the world learn to offer to the rejected and outcast and othered? What can be learned from anger, and what are its limitations? How do you know when anger is righteous and useful, and when it’s merely cruel? Can power that comes from anger and pain be used for good? Moss hung in great, green-grey swathes from the branches. Everywhere there was the cold, lush smell of the woods with its undercurrent of rot, its fierce green freshness and the scent of a thousand marsh flowers gaping their fat silken petals in the summer dark.

It’s “middle grade” literature, which is ridiculous. Hardinge writes more than suitably for adults, but these are also stories that you can hand to a young reader without cringy embarrassment for your book tastes. Young age of her characters does not detract from the high level of clever complexity, but does - thank all the literary deities - end up romance-proof, which at least to me is a welcome reprieve of the easy storytelling trends that lets us because they sell. This book is carried on the strength of its story, not on the whiff of hormones, and it’s wonderful. Even if you didn’t dwell on the past, however, sometimes the past dwelt on you. Sometimes it remembered you and came after you for revenge.” I loved the relationship and connection between Kellen and Nettle, I think this is the closest I've seen to a Queerplatonic relationship in any book, friendship isn't quite enough to describe the way they're bonded, but they're definitely not a romantic couple either. Moreover, every person we meet was so unique. Some were infuriatingly self-righteous, some were true villains, others were victims of circumstances, there were unteachable idiots and cunning conspirators. In the middle of this varied group of people, we had two marvelously wonderful kids that had to grow up way to fast and are now trying to navigate heartbreak and danger without losing themselves in the middle of it all.

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Meglio ancora, la Hardinge (non per nulla, pluripremiata) riesce a trasmettere con un linguaggio accessibile e fresco dei messaggi che possono definirsi universali. I think anger’s alright, actually. Lots of you have been treated badly, and most of you never asked for any of this. But… hate’s different. It eats you up and makes everything worse. You’ve all suffered enough already, haven’t you?” Everything echoes down the webs. Even magical creatures have a thing or two to learn about human emotions. And even a carefully organized society can learn that it needs to change. Perhaps you will decide that all the stories of the Wilds and the Raddith cursers were invented to entertain tourists. And at night, when you see a many-legged shape scuttle across the ceiling of your bedchamber, you will tell yourself that it is a spider, and only a spider . . . I love the nuance in Hardinge’s writing. She evokes so much emotion and brings her readers along a thought-provoking journey, yet her messages are never heavy-handed. I’m getting so tired of these in-your face YA stories that scream to the roof messages and themes rather than trusting readers to come to those same conclusions simply because the author has written a well-crafted story.

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